June 25, 2026 Palm Springs Shortsfest 2026 Interview: Hugo de Sousa, Sarah Whelden and Kelly Wilcox on a Trail That Turns Especially Cold in “Best Friends with the Devil”
June 24, 2026 Palm Springs Shortsfest 2026 Interview: Hazel McKibbin and Robert R. Palmer on the Run-Up to “Last Man Up”
June 25, 2026 Palm Springs Shortsfest 2026 Interview: Hugo de Sousa, Sarah Whelden and Kelly Wilcox on a Trail That Turns Especially Cold in “Best Friends with the Devil”
June 24, 2026 Palm Springs Shortsfest 2026 Interview: Hazel McKibbin and Robert R. Palmer on the Run-Up to “Last Man Up”
Tribeca 2026 Interview: Blake Winston Rice on Finding Truth and Humor in a Shame Spiral in “Disc” June 14, 2026
DC/DOX 2026 Review: An Education Requires a Break from Past Ideas in Jeremy Workman’s Moving “School for Defectors” June 13, 2026
Tribeca 2026 Interview: Noam Argov and Sappir Argov on Finding an Internal War of the Worlds in “Verse” June 13, 2026
Tribeca 2026 Review: Critical Thinking Has Led to Unconditional Love in Alison Chernick’s Luminous “House of Criticism” June 12, 2026
Tribeca 2026 Interview: Frank Sun, b Norwood and Kate Pittard on Being Image Conscious in “Fabric” June 12, 2026
DC/DOX 2026 Interview: Ora DeKornfeld on the State of Play in “The Grandfather Puzzle” and “Stalin Boys” June 11, 2026
DC/DOX 2026 Interview: Khaula Malik on the Difficulty of Trying to Make a Clean Break in “The Custodian” June 11, 2026
Tribeca 2026 Review: There’s No Honor Among Thieves in Mickey Keating’s Trigger Happy “Crooks” June 11, 2026
Tribeca 2026 Review: A Trucker Hopes There’s More Than Coal in Her Stocking in Khoroldorj Choijoovanchig’s “Colors of White Rock” June 10, 2026
Tribeca 2026 Interview: Andrew Neel on Fearing What Becomes Palatable to the Public in “How to Feed a Dictator” June 10, 2026
Tribeca 2026 Review: An Attractive Romantic Getaway Has Led Locals to Flee in Gar O’Rourke’s Captivating “The Siege of Paradise” June 10, 2026
