Journal

Mamoru Hosoda on a New Frontier in “Scarlet”

December 12, 2025

María Valverde on What Music Can Carry in “El Canto de Las Manos”

December 12, 2025

Patrick Creadon and Sean Adams on Printing the Legend in “The King of Color”

December 11, 2025

Diego Cespedes on a Glimpse of the Future in “The Mysterious Gaze of the Flamingo”

December 11, 2025

Ian Bell on Confronting Various Realities in “WTO/99”

December 9, 2025

Mascha Schilinski on Creating a Landmark in “Sound of Falling”

December 8, 2025

Marie Losier on Capturing a Body of Work in “Peaches Goes Bananas”

December 7, 2025

Cyril Aris on Hanging On to the Constant Spin of “A Sad and Beautiful World”

December 6, 2025

Gabrielle Brady on Restoring a Sense of Place in “The Wolves Always Come at Night”

December 6, 2025

Jean Dakar and Tamara Kotevska on Soaring to New Heights in “The Tale of Silyan”

December 6, 2025

Mohammadreza Enyi and Sara Khaki on Building Up Strength in “Cutting Through Rocks”

December 5, 2025

Urška Djukić on a Different Kind of Out-of-Body Religious Experience of “Little Trouble Girls”

December 4, 2025