October 30, 2025 Lynsey Addario and Chai Vasarhelyi on Bringing Light to Conflicts at Home and Abroad in “Love + War”
October 30, 2025 Bonni Cohen, Pedro Kos and Jon Shenk on a Moment of Hope for Environmental Movement in “The White House Effect”
October 30, 2025 Maïlys Vallade and Liane-Cho Han on Finding God in the Details of “Little Amélie or the Character of Rain”
October 30, 2025 Lynsey Addario and Chai Vasarhelyi on Bringing Light to Conflicts at Home and Abroad in “Love + War”
October 30, 2025 Bonni Cohen, Pedro Kos and Jon Shenk on a Moment of Hope for Environmental Movement in “The White House Effect”
October 30, 2025 Maïlys Vallade and Liane-Cho Han on Finding God in the Details of “Little Amélie or the Character of Rain”
October 7, 2019 TIFF ’19 Review: A Different Kind of Superhero Origin Story Has a Strong Foundation in “How to Build a Girl”
October 6, 2019 TIFF ’19 Interview: Nick Rowland on Unleashing a Beast of a Thriller with “Shadow of Violence”
September 27, 2019 TIFF ’19 Interview: Deragh Campbell & Kazik Radwanski on Capturing Fresh Air in “Anne at 13,000 Ft.”
September 24, 2019 TIFF ’19 Interview: Zaida Bergroth on the Seeds of Distrust That Grow in “Maria’s Paradise”
September 23, 2019 TIFF ’19 Review: Time is the Great Equalizer in the Brilliant “The Obituary of Tunde Johnson”
September 20, 2019 TIFF ’19 Interview: Malgorzata Szumowska on Cottoning Up to a Cult in “The Other Lamb”
September 18, 2019 TIFF ’19 Interview: Adam Goodes, Dan Gordon and Stan Grant on Uniting for “The Australian Dream”
