The Moveable Fest
The Moveable Fest
  • Interviews
    Interviews

    Kyle Gallner and Emily Skeggs on Serving Up Subversion in “Dinner in America”

    Bonni Jo Hart on Amping Up a Pioneering Band in “Fanny: The Right to Rock”

    Dan Mirvish on Wrangling a Wild Tale of the Tape in “18 1/2”

  • Reviews
    Reviews

    Cannes 2022 Review: The Terror of a Brutal Regime Hits Home in Manuela Martelli’s Engrossing “1976”

    Cannes 2022 Review: An Actor Gets a Part He’d Rather Not Play in the Curious Conspiracy Thriller “The Green Perfume”

    Cannes 2022 Review: Alexandru Belc’s “Metronom” Impressively Measures the Extent of a Heartbreak

  • The Mentaculist
    The Mentaculist
    Matt Damon in "Euro Trip"

    Matt Damon: A Career in Cameos

    Independence Day: My Street

    Five Movie Marketing Miscues That Blew Up in All the Wrong Ways

    Lucas Black and Nathalie Kelley in "Fast & Furious: Tokyo Drift"

    Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
    “Fast & Furious” Franchise

  • Retrospective
    Retrospective

    Reclaiming Reality: Mario Van Peebles on Reimagining a City and an Industry in “New Jack City”

    Joachim Trier on “The Worst Person in the World” Epilogue, Freezing Oslo in Time and More with Paul Thomas Anderson

    A Resolution Comes True: The Making of “Get Crazy,” the Ultimate New Year’s Movie and Its Wild Restoration

  • Trending
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    Cannes 2022 Review: The Terror of a Brutal Regime Hits Home in Manuela Martelli’s Engrossing “1976”

    Cannes 2022 Review: An Actor Gets a Part He’d Rather Not Play in the Curious Conspiracy Thriller “The Green Perfume”

    Kyle Gallner and Emily Skeggs on Serving Up Subversion in “Dinner in America”

    Cannes 2022 Review: Alexandru Belc’s “Metronom” Impressively Measures the Extent of a Heartbreak

    Interview: Taika Waititi on “Boy,” the Boredom of Acting and the Excitement of Childhood

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TIFF 2019

InterviewsTIFF

Interview: Nina Hoss & Ina Weisse on Preparing for “The Audition”

The director and star discuss finding harmony in their collaboration for this compelling drama about a music teacher who's lost her rhythm in life.
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InterviewsTIFF

Interview: Claes Bang and Dan Friedkin on the Brushstrokes Behind “The Last Vermeer”

The director and star talk about making this lively historical drama about an art dealer who knows as much about the art of Vermeer as the art of cons in post-war Europe.
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ReviewsTIFF

TIFF ’19 Review: Time is the Great Equalizer in the Brilliant “The Obituary of Tunde Johnson”

Stanley Kalu and Ali LeRoi's cleverly constructed drama about a young man struggling to carve out an identity for himself is bound to throw you for a loop in more ways than one.
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InterviewsTIFF

TIFF ’19 Interview: Malgorzata Szumowska on Cottoning Up to a Cult in “The Other Lamb”

The director of "Elles" talks about keeping her flock in check for this thriller concerning a cult member who becomes suspicious of its leader.
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ReviewsTIFF

TIFF ’19 Review: A Different Kind of Superhero Origin Story Has a Strong Foundation in “How to Build a Girl”

The adaptation of the British bon vivant Caitlin Moran's semi-autobiographical novel about coming up as a journalist in the '90s music scene totally rocks.
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InterviewsTIFF

TIFF ’19 Interview: Deragh Campbell & Kazik Radwanski on Capturing Fresh Air in “Anne at 13,000 Ft.”

The star and director talks about the two-year process to create this vivid and indelible portrait of a young woman who lives for the moment.
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ReviewsTIFF

TIFF ‘19 Review: David Zonana’s “Workforce” is a Powerhouse

A construction crew unexpectedly builds a home for themselves under inhospitable circumstances in this subtle yet extremely affecting drama.
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InterviewsTIFF

TIFF ’19 Interview: Raymund Ribay Gutierrez on Doing Justice to “Verdict”

A case of domestic abuse exposes a severely compromised justice system in the Philippines in this beast of a thriller.
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InterviewsTIFF

TIFF ’19 Interview: Nick Rowland on Unleashing a Beast of a Thriller with “Shadow of Violence”

The director talks about entering the mind of a restless former boxer who can't escape the grip of his small, crime-ridden town.
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InterviewsTIFF

TIFF ’19 Interview: Zaida Bergroth on the Seeds of Distrust That Grow in “Maria’s Paradise”

The director talks about revisiting the charismatic appeal of the 1920s evangelist Maria Åkerblom through the eyes of one of her followers.
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InterviewsTIFF

TIFF ’19 Interview: Katrin Gebbe on Fleshing Out “Pelican Blood”

The director of "Nothing Bad Can Happen" returns to explore the dangers of unquestioned — and perhaps misplaced — faith in this thriller about a mother who gets more than she bargained for with a newly adopted child.
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InterviewsTIFF

TIFF ’19 Interview: Adam Goodes, Dan Gordon and Stan Grant on Uniting for “The Australian Dream”

An AFL star at the top of his game find himself standing alone in other ways when he takes a stand against racism in this stirring profile in courage from down under.
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Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

Mildred Loving, Peggy Loving and Richard Loving in "The Loving Story"
Interviews

Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

The Mentaculist

Playing God: 13 Actors Who Dared To Be the Deity in Movies

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