April 13, 2026 New Directors/New Films 2026 Review: Jack Auen and Kevin Walker’s Riveting “Chronovisor” Has A Lot Going on Between the Lines
April 13, 2026 New Directors/New Films 2026 Review: Giulio Bertelli’s “Agon” Works Out the Muscles of the Mind
April 12, 2026 L.A. Festival of Movies 2026 Review: Avalon Fast and Jillian Frank Think Big About Small-Town Life in the Stirring “Drinking and Driving”
April 13, 2026 New Directors/New Films 2026 Review: Jack Auen and Kevin Walker’s Riveting “Chronovisor” Has A Lot Going on Between the Lines
April 13, 2026 New Directors/New Films 2026 Review: Giulio Bertelli’s “Agon” Works Out the Muscles of the Mind
April 12, 2026 L.A. Festival of Movies 2026 Review: Avalon Fast and Jillian Frank Think Big About Small-Town Life in the Stirring “Drinking and Driving”
October 7, 2019 TIFF ’19 Review: A Different Kind of Superhero Origin Story Has a Strong Foundation in “How to Build a Girl”
October 6, 2019 TIFF ’19 Interview: Nick Rowland on Unleashing a Beast of a Thriller with “Shadow of Violence”
September 27, 2019 TIFF ’19 Interview: Deragh Campbell & Kazik Radwanski on Capturing Fresh Air in “Anne at 13,000 Ft.”
September 24, 2019 TIFF ’19 Interview: Zaida Bergroth on the Seeds of Distrust That Grow in “Maria’s Paradise”
September 23, 2019 TIFF ’19 Review: Time is the Great Equalizer in the Brilliant “The Obituary of Tunde Johnson”
September 20, 2019 TIFF ’19 Interview: Malgorzata Szumowska on Cottoning Up to a Cult in “The Other Lamb”
September 18, 2019 TIFF ’19 Interview: Adam Goodes, Dan Gordon and Stan Grant on Uniting for “The Australian Dream”
