March 14, 2026 SXSW 2026 Review: “Summer 2000: The X-Cetera Story” Lets the Record Show the Truth About Girlhood
March 14, 2026 SXSW 2026 Review: A Murder Investigation Leads to Some Larger Questions About Community in Rachel Mason’s “My Brother’s Killer”
March 14, 2026 SXSW 2026 Review: An Heiress Faces a Sink-or-Swim Moment in the Strange But True “Amazing Live Sea Monkeys”
March 14, 2026 SXSW 2026 Review: “Summer 2000: The X-Cetera Story” Lets the Record Show the Truth About Girlhood
March 14, 2026 SXSW 2026 Review: A Murder Investigation Leads to Some Larger Questions About Community in Rachel Mason’s “My Brother’s Killer”
March 14, 2026 SXSW 2026 Review: An Heiress Faces a Sink-or-Swim Moment in the Strange But True “Amazing Live Sea Monkeys”
January 24, 2019 Striking a Match: How the Firelight Lab Amplified the Voices of the Underrepresented in the Documentary World
August 29, 2017 Interview: Camden Film Fest Programmers Ben Fowlie & Samara Grace Chadwick on Creating a North Star for Doc Filmmakers
December 16, 2016 Interview: Lou Pepe & Keith Fulton on Their Way In to Give Outsiders a Platform in “The Bad Kids”
November 16, 2016 Interview: Sonia Kennebeck, Ines Hofmann Kanna, & Lisa Ling on Giving Wings to “National Bird”
November 12, 2016 DOC NYC ’16 Interview: Kimi Takesue on Riding Waves of Rediscovery in “95 and 6 to Go”
October 23, 2016 Interview: Craig Atkinson on the Arresting Police Militarization Doc “Do Not Resist”
September 30, 2016 Interview: Robert Kenner & Eric Schlosser on Launching a Conversation about Nuclear Weapons with “Command and Control”
September 27, 2016 TIFF ’16 Interview: Jamie Kastner on Leaving A Lot Up in the Air with “The Skyjacker’s Tale”
September 23, 2016 Interview: Rob Canaan & Ross Adam on the Great Seduction of “The Lovers and the Despot”
September 7, 2016 Interview: Jeff Feuerzeig on Setting the Record Straight with “Author: The JT Leroy Story”
