December 3, 2024 Emanuel Parvu on Creating a Sea Change with “Three Kilometres to the End of the World”
December 3, 2024 Isaki Lacuesta on Orbiting Around the Truths of the Creative Process in “Saturn Return”
December 2, 2024 Smriti Mundhra on the Unexamined Implications of Capital Punishment in “I Am Ready, Warden”
December 3, 2024 Emanuel Parvu on Creating a Sea Change with “Three Kilometres to the End of the World”
December 3, 2024 Isaki Lacuesta on Orbiting Around the Truths of the Creative Process in “Saturn Return”
December 2, 2024 Smriti Mundhra on the Unexamined Implications of Capital Punishment in “I Am Ready, Warden”
June 30, 2021 Tribeca 2021 Review: “All These Sons” Aims At Gun Violence Prevention on an Individual Level
June 30, 2021 Tribeca 2021 Interview: An Author of Rock History Gets His Own Chapter in Suzanne Joe Kai’s “Like a Rolling Stone: The Life & Times of Ben Fong-Torres”
June 29, 2021 Tribeca 2021 Review: A Father Wrestles with His Son’s Debt in Levan Koguashvili’s Spry Comedy “Brighton 4th”
June 29, 2021 Tribeca 2021 Review: “Peace by Chocolate” Offers a Beautifully Bittersweet Immigrant’s Story
June 23, 2021 Tribeca 2021 Review: A Pair of Actors Regain Their Creative Drive on the Road in “Glob Lessons”
June 23, 2021 Tribeca 2021 Review: A College Reunion Leads to a Real Big Chill in “All My Friends Hate Me”
June 21, 2021 Tribeca 2021 Review: Refugees of a War-Torn Syria Refuse to Be Pulled Apart in the Tender “Simple as Water”
June 21, 2021 Tribeca 2021 Interview: Emmett Brennan on Tapping Into Creative Forms of Conservation in “Reflection: a walk with water”
June 19, 2021 Tribeca 2021 Interview: Michael Gassert and Sami Khan on Staying in the Game for “The Last Out”
