October 30, 2025 Lynsey Addario and Chai Vasarhelyi on Bringing Light to Conflicts at Home and Abroad in “Love + War”
October 30, 2025 Bonni Cohen, Pedro Kos and Jon Shenk on a Moment of Hope for Environmental Movement in “The White House Effect”
October 30, 2025 Maïlys Vallade and Liane-Cho Han on Finding God in the Details of “Little Amélie or the Character of Rain”
October 30, 2025 Lynsey Addario and Chai Vasarhelyi on Bringing Light to Conflicts at Home and Abroad in “Love + War”
October 30, 2025 Bonni Cohen, Pedro Kos and Jon Shenk on a Moment of Hope for Environmental Movement in “The White House Effect”
October 30, 2025 Maïlys Vallade and Liane-Cho Han on Finding God in the Details of “Little Amélie or the Character of Rain”
October 3, 2023 TIFF 2023 Review: A Once Tight-Knit Commune Picks Up Loose Threads in Lukas Moodysson’s “Together 99”
October 2, 2023 TIFF 2023 Interview: Kei Chika-ura and Mirai Moriyama on Minding the Gaps of “Great Absence”
September 27, 2023 TIFF 2023 Review: Ava DuVernay’s “Origin” Powerfully Recasts a Conversation About Inequality
September 21, 2023 TIFF 2023 Review: Michael Winterbottom’s “Shoshana” Finds a Conflict of Interest to Deliver Suspense
September 20, 2023 TIFF 2023 Review: “Wicked Little Letters” Finds a War of Words Leads to a Winning Comedy
September 20, 2023 TIFF 2023 Review: A Young Woman Looks Towards the Bigger Picture in Lone Scherfig’s Enchanting “The Movie Teller”
September 18, 2023 TIFF 2023 Interview: Paula Hernández on Stirring up a Storm of Emotions in “A Ravaging Wind”
September 18, 2023 TIFF 2023 Review: A Simple Bond Grows From a Complex Set of Circumstances in Michel Franco’s Affecting “Memory”
