May 18, 2026 Cannes 2026 Review: A Dog and Its Owner Share a Restlessness in Dominga Sotomayor’s Gripping “La Perra”
May 18, 2026 Cannes 2026 Review: Marine Atlan’s Magnificent Coming-of-Age Drama “La Gradiva” Shows Real Class
May 17, 2026 Cannes 2026 Review: Nicolas Athané and Marco Nguyen’s Out and Out Animated Comedy “Jim Queen” Has Unexpected Muscle
May 18, 2026 Cannes 2026 Review: A Dog and Its Owner Share a Restlessness in Dominga Sotomayor’s Gripping “La Perra”
May 18, 2026 Cannes 2026 Review: Marine Atlan’s Magnificent Coming-of-Age Drama “La Gradiva” Shows Real Class
May 17, 2026 Cannes 2026 Review: Nicolas Athané and Marco Nguyen’s Out and Out Animated Comedy “Jim Queen” Has Unexpected Muscle
April 1, 2021 SXSW 2021 Interview: Rayka Zehtabchi and Sam Davis on Creatively Recharging with “Are You Still There?”
March 24, 2021 SXSW 2021 Interview: Alba Sotorra Clua on a Fight That Continues After War in “The Return: Life After ISIS”
March 19, 2021 SXSW 2021: Stacey Gregg on Finding an Original Way Into a Psychological Thriller With “Here Before”
March 19, 2021 SXSW 2021 Interview: Whitney Call, Mallory Everton and Stephen Meek on Pushing the Envelope in a Pandemic with “Stop and Go”
March 18, 2021 SXSW 2021 Review: A Search for Other Signs of Life in the Universe Finds Plenty of It on Earth in Nathaniel Kahn’s Spirited “The Hunt for Planet B”
March 18, 2021 SXSW 2021 Review: “The Legend of Molly Johnson” Offers a Quite Different Little House on the Prairie
March 18, 2021 SXSW 2021 Review: A Teenager Faces Extraordinary Growing Pains in Emily Cohen Ibañez’s “Fruits of Labor”
