December 3, 2024 Emanuel Parvu on Creating a Sea Change with “Three Kilometres to the End of the World”
December 3, 2024 Isaki Lacuesta on Orbiting Around the Truths of the Creative Process in “Saturn Return”
December 2, 2024 Smriti Mundhra on the Unexamined Implications of Capital Punishment in “I Am Ready, Warden”
December 3, 2024 Emanuel Parvu on Creating a Sea Change with “Three Kilometres to the End of the World”
December 3, 2024 Isaki Lacuesta on Orbiting Around the Truths of the Creative Process in “Saturn Return”
December 2, 2024 Smriti Mundhra on the Unexamined Implications of Capital Punishment in “I Am Ready, Warden”
March 29, 2013 Review: While Success Has Many Fathers, A Failure Has Many Children in the Sweet “Starbuck”
March 11, 2013 SXSW ’13 Review: AJ Schnack & David Wilson’s Branson Doc “We Always Lie to Strangers” Conveys An Exquisite Truth
February 4, 2013 Review: A Bumpy Ride Results in Michel Gondry’s Highly Satisfying “The We and the I”
January 14, 2013 Review: In Spite of a High-Flying Charlie Sheen, “Charles Swan” Never Quite Takes Off
November 28, 2012 Review: “Universal Soldier: Day of Reckoning” Deploys Adkins, Van Damme and Lundgren to Flip the Script
November 3, 2012 Review: Salles, Stewart and Hedlund Keep Their Eyes “On the Road” in Immersive, Invigorating Adaptation
November 1, 2012 Austin Film Fest ’12 Review: The Delicate, Defiant and Romantic Call of “Sparrows Dance”
