SXSW 2024 Review: Shaun Seneviratne’s “Ben and Suzanne: A Reunion in 4 Parts” is a Sensational Throwback to the Heyday of Indie Rom Coms
SXSW 2024 Review: A Trio Banks on Revenge As the Only Institution They Can Trust in Cutter Hodierne’s “Cold Wallet”
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
L.A. Film FestReviewsUncategorized·3 min readLA Film Fest ’14 Review: “Billy Mize and the Bakersfield Sound” Keeps it Upbeat
ReviewsUncategorized·2 min readReview: While Success Has Many Fathers, A Failure Has Many Children in the Sweet “Starbuck”
Reviews·3 min readReview: Salles, Stewart and Hedlund Keep Their Eyes “On the Road” in Immersive, Invigorating Adaptation
ReviewsSXSW 2012·3 min readSXSW ’13 Review: AJ Schnack & David Wilson’s Branson Doc “We Always Lie to Strangers” Conveys An Exquisite Truth
Reviews·3 min readReview: A Bumpy Ride Results in Michel Gondry’s Highly Satisfying “The We and the I”
Reviews·3 min readReview: In Spite of a High-Flying Charlie Sheen, “Charles Swan” Never Quite Takes Off
Reviews·2 min readReview: “Universal Soldier: Day of Reckoning” Deploys Adkins, Van Damme and Lundgren to Flip the Script
Austin Film FestivalReviews·2 min readAustin Film Fest ’12 Review: The Delicate, Defiant and Romantic Call of “Sparrows Dance”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”