May 17, 2026 Cannes 2026 Review: A Quiet Connection Holds Considerable Power in Yukiko Sode’s “All the Lovers in the Night”
May 16, 2026 Cannes 2026 Review: Life as a Twentysomething is an Ongoing Battle in Lila Pinell’s Punchy “Shana”
May 15, 2026 Cannes 2026 Review: Marion Cotillard Plots a Great Escape in Guillaume Canet’s Engrossing Thriller “Karma”
May 15, 2026 Cannes 2026 Review: There’s Plenty to Rave About in Jordan Firstman’s Spectacular “Club Kid”
May 17, 2026 Cannes 2026 Review: A Quiet Connection Holds Considerable Power in Yukiko Sode’s “All the Lovers in the Night”
May 16, 2026 Cannes 2026 Review: Life as a Twentysomething is an Ongoing Battle in Lila Pinell’s Punchy “Shana”
May 15, 2026 Cannes 2026 Review: Marion Cotillard Plots a Great Escape in Guillaume Canet’s Engrossing Thriller “Karma”
May 15, 2026 Cannes 2026 Review: There’s Plenty to Rave About in Jordan Firstman’s Spectacular “Club Kid”
October 10, 2018 L.A. Film Fest ’18 Interview: Lucien Bourjeily & Farah Shaer on Serving Up Food for Thought in “Heaven Without People”
October 2, 2018 L.A. Film Fest ’18 Interview: Tchaiko Omawale & Hope Olaide Wilson on Finding Peace of Mind in “Solace”
September 30, 2018 L.A. Film Fest ’18 Review: A Spirited Comedy Grows Out of Shakespearean Tragedy in “Ghost Light”
September 25, 2018 L.A. Film Fest ’18 Review: Abby Quinn & Stefanie Scott Light Up Laura Terruso’s “Good Girls Get High”
September 24, 2018 L.A. Film Fest ’18 Review: Sparks Fly in Stacie Passon’s Exquisite “We Have Always Lived in the Castle”
September 21, 2018 L.A. Film Fest ’18 Interview: Amy Goldstein on A Rock ‘N’ Roll Survival Story in “Kate Nash: Underestimate the Girl”
