January 31, 2025 Sundance 2025 Review: Rachael Abigail Holder’s Lovely “Love, Brooklyn” Shows a Sensitivity to Change
January 30, 2025 Sundance 2025 Review: Sophie Brooks’ “Oh, Hi!” Makes the Most of Some Questionable Bedroom Behavior
January 31, 2025 Sundance 2025 Review: Rachael Abigail Holder’s Lovely “Love, Brooklyn” Shows a Sensitivity to Change
January 30, 2025 Sundance 2025 Review: Sophie Brooks’ “Oh, Hi!” Makes the Most of Some Questionable Bedroom Behavior
April 6, 2022 A Face in the Crowd: An Escape Comes From Within in Carlen May-Mann’s “Romance Package for Two”
July 31, 2018 A Face in the Crowd: Carlen May-Mann Slyly Finds a New Way Into the Horror Genre with “The Rat”
July 16, 2018 A Face in the Crowd: Jim Cummings is Bringing Down the Gates for Filmmakers By Opening the Doors to a Short to Feature Lab
July 9, 2018 A Face in the Crowd: Britni West Seeks a Place of Her Own in “By Now I’ve Lived a Thousand Lives and None of Them Are Mine”
May 19, 2016 Difference Makers: Liz Cook, George Schmalz & Jane Schoenbrun on Kickstarter’s Next Step
August 4, 2015 A Face in the Crowd: Diversity is the Spice of Life in Kyle Henry’s “The Year That Changed Us”
August 21, 2014 A Face in the Crowd: Jenny Murray and Laura Tomaselli Restart a Revolution in “Memorias Del Fuego”