DC/DOX 2024 Review: A.J. Schnack’s “Majority Rules” is a Political Doc That Separates Itself From the Pack
Tribeca 2024 Review: It Can Feel Lonely in a Friendship in Joel Potrykus’ Unexpectedly Poignant “Vulcanizadora”
Tribeca 2024 Review: Solving a Case Starts to Look Like a Crime in Nnamdi Asomugha’s Gripping Thriller “The Knife”
Uncategorized·9 min readSXSW ’13 Interview: Glenn Leyburn, Lisa Barros D’Sa & Jodie Whittaker Spread “Good Vibrations”
Interviews·8 min readInterview: Simon Ennis, Jonas Bell Pasht & Christopher Carson on Being Over the Moon About Their Doc “Lunarcy”
InterviewsSXSW 2012·7 min readSXSW ’13 Interview: Josh Izenberg on Skating with “Slomo,” an Inspiring Doc on a Neurologist Turned Spiritualist
ReviewsSXSW 2012·2 min readSXSW ’13 Review: Vincent Grashaw’s Muscular Escape Thriller “Coldwater” Runs Hot
ReviewsSXSW 2012·3 min readSXSW ’13 Review: Jeanie Finlay Gets to the Bottom of “The Great Hip Hop Hoax”
ReviewsSXSW 2012·2 min readSXSW ’13 Review: Michelle Monaghan & Radha Mitchell Birth a Beautiful Friendship in “Gus”
ReviewsSXSW 2012·3 min readSXSW ’13 Review: Desensationalizing History in the Otherwise Sensational “Our Nixon”
ReviewsSXSW 2012·3 min readSXSW ’13 Review: When the Going Gets Tough, the Tough Gets Going in “The Other Shore”
InterviewsSXSW 2012·6 min readSXSW ’13 Interview: Dayna Hanson on Dancing Towards Her First Feature “Improvement Club”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”