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Reed Van Dyk on Putting the Pieces Together of a Shattering Event in “Atonement”

Amir Bar-Lev on Seeing the Other Side of the Mountain in “The Last First: Winter K2”

TIFF 2026 Interview: Mariia Volodymyrivna Ponomarova on Finding Out What’s In a Name in “Patronymic”

TIFF 2026 Review: Matt Barats’ Painfully Funny “Anchors Aweigh” Turns the Tide on the Aimless Millennial Self-Portrait

TIFF 2026 Review: Driven By Passion, Sung Kang’s “Drifter” Finds Its Way Across Some Treacherous Terrain

TIFF 2026 Review: Matthew Rankin’s Anarchic “Ladies and Gentlemen, Brian Mulroney” Recalls a Politician That Quietly Wreaked Havoc