Tribeca 2026 Review: Miiku Sakanishi’s “Memorizu” Considers the Long-Term Effects of a Snapshot
A picture of a family takes time to develop but yields rewards in this somber drama built around the idea of relying on media for memories.
Tribeca 2026 Review: A Light Emerges From the Dark Corners of an Insane Asylum in “The Haunting of Pennhurst”
The reinvention of a real house of horrors to a Halloween attraction in Pennsylvania leads to an unconventionally spooky documentary.
Haifaa Al-Mansour on Exposing True Crimes with the Murder Mystery “Unidentified”
The director talks about putting a face on the women of Saudi Arabia with this triumphant capstone to a trilogy she started with "Wadjda."
Ana Asensio on Refusing to Be Fenced In with “Goat Girl”
The "Most Beautiful Island" director discusses this enchanting coming-of-age story about a nine-year-old realizing she must chart her own path.
Dances With Films 2026 Interview: Jay Silverman on Getting Into “Yale”
The director discusses this Caitlin McGee-Kevin Dunn dramedy about an estranged daughter and dad forced back together by the fate of her son.
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DC/DOX 2026 Review: Miniatures Speak to a Much Bigger Life in Anna Fitch’s Inspired “Yo (Love is a Rebellious Bird)”
An artist takes comfort in creativity to evoke the life of her dearly departed friend who lived life on her own terms in this buoyant doc.
Tribeca 2026 Interview: Blake Winston Rice on Finding Truth and Humor in a Shame Spiral in “Disc”
The director talks about this sharp comic short involving a one night stand where true vulnerability is only shown the morning after.
DC/DOX 2026 Review: An Education Requires a Break from Past Ideas in Jeremy Workman’s Moving “School for Defectors”
"Secret Mall Apartment" director Jeremy Workman crafts a deeply touching portrait of students building a future while contending with a past they had no control over.
