Venice Film Fest 2026 Review: A Young Man Seeks Safe Harbor in Xavier Tera’s Compelling Coming-of-Age Drama “The Color of the Sun”
Set on the island of Okinawa, still occupied by the U.S. military albeit under Japan control, a teen feels the push-and-pull of determining his future.
Venice Film Fest 2026 Review: Casey Affleck’s “Company” Knows the Power of a Good Story
Building a narrative around how transfixing stories can be, this drama set in three different eras lives up to its subject.
Venice Film Fest 2026 Review: Raising a College Student Leaves a Couple Looking to Re-Learn How to Live in “Una Storia (A Common Story)”
Alba Rohrwacher and Giuseppe Pestillo star as parents who wonder who they are in an empty nest in Anna Foglietta's tender drama.
Venice Film Fest 2026 Review: Luke Lorentzen’s “Boatbuilders” Brilliantly Observes the Architecture of a Community
The director of "A Still, Small Voice" heads to the coast of Maine for this beautiful look at a company keeping more afloat than the yachts they work on.
Telluride Film Fest 2026 Review: Nathan and David Zellner Fight the Good Fight in the Prepostorously Funny “Alpha Gang”
The "Sasquatch Summer" directors return with this hoot-and-a-half about a group of aliens whose mission to Earth to take over the planet may be in vain.
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Jesse Moss and Amanda McBaine on a Story Worth Digging Into in “Teenage Wasteland”
The "Boys State" directors discuss taking inspiration in a group of high school students in the '90s that uncovered a local scandal and pushed for change.
Telluride 2026 Review: Arthur Harari’s “The Unknown” Gets Under the Skin
An eerie thriller about a virus that leads to people swapping bodies becomes a moving interrogation of the spirit starring a great Lea Seydoux.
Telluride 2026 Review: A Writer of Great Tragedies Narrowly Avoids Authoring One in His Life in the Fun and Frisky “The Idiot(s)”
Aimee Lou Wood gives a radiant turn as Dostoevsky's wife who alleviates the Russian novelist's writer's block and lifts up this comic biopic.
