Tribeca 2026 Review: Jeffrey Schwarz’s “Mineshaft: The Cruising Murders” Revisits a Crime with Great Empathy
A fascinating doc revisits the making of William Friedkin's controversial thriller set in the gay underground, fleshing out a story long missing empathy.
Tribeca 2026 Review: Progress is a Delicate Dance in Allison Berg’s Heartening “Time Warp”
A production of "Rocky Horror Picture Show" in the rural town of Rock Springs, Wyoming reveals the strength of community.
Tribeca 2026 Review: A New York Underground Tries to Rise Above in Joshua Z. Weinstein’s Vigorous “Here I’m Alive”
A rogues' gallery of New York City denizens living on the fringe of society make for an edgy ensemble drama that cuts deep.
Tribeca 2026 Review: A Pastor Struggles to Have Faith in Others in Hannah Peterson’s Transcendent “Via Negativa”
Young Mazino stars as a burgeoning priest let go from his ministry when he shows signs he might be headed on a different path in this surreal drama.
Tribeca 2026 Review: Emilia Clarke Shines in the Parallel Experiences of Drake Doremus’ “Next Life”
A woman's life could go two different ways in a new romance that's a welcome return for the director of "Like Crazy."
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Tribeca 2026 Interview: Alphan Eseli and Hazar Ergüçlü on Going on Instinct in “Mutter: Diary of a Mother”
The director and star of this chilling folk horror film discuss this tale of a woman whose newborn isn't what she'd expect – or anyone.
Tribeca 2026 Interview: Alvin Hall and Sam Pollard on a Hotel That Housed a Storied History in “The Lorraine”
The filmmakers discuss teaming up for this rollicking chronicle of a legendary resort that was welcoming to all during the Civil Rights era.
Adam Carter Rehmeier on Playing the Long Game in “Carolina Caroline”
The director discusses this riveting romance starring Samara Weaving and Kyle Gallner as a bank-robbing couple bound to steal hearts.
