True/False 2026 Review: Carolina Gonzalez Valencia’s “How to Clean a House in Ten Easy Steps” Uses Imagination to Make Sense of a Messy Situation
A mother's decision to support her children by moving abroad to work as a housekeeper is creatively reconsidered in this boisterous hybrid doc.
Angelo Madsen on Embracing a Free Spirit in “A Body to Live In”
The director talks about this sensational portrait of Fakir Musafar, who challenged the culture and his own body to think beyond the skin.
Tamika Miller on Putting Up a Fight for “Undercard”
The director discusses convincing Wanda Sykes to take a rare dramatic role as a trainer who reconnects with her son and the film's 10-year journey.
Berlinale 2026 Review: Alisa Kovalenko & Marysia Nikitiuk’s “Traces” Leaves a Strong Impression of an Underexamined Aspect of War
A sexual assault survivor collects testimony from others for evidence of war crimes in the Russian invasion of Ukraine in this affecting doc.
Slamdance 2026 Review: A Community Tries to Stay on Track in the Wake of a Train Derailment in Ori Segev and Noah Dixon’s Striking Portrait “The Bulldogs”
A devastating accident that could pull a town a part shows what holds them together in this lovely look at East Palestine, Ohio.
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Berlinale 2026 Review: Pete Muller’s “Bucks Harbor” Brings Out Fresh Air From a Cold Reality
A fishing community in Maine where generations have devoted their life to the local industry question what return they've gotten in this affecting doc.
Slamdance 2026 Interview: Jessica Barr, Sarah Whelden and Kelly Wilcox on Setting Off “The Plan”
The filmmakers behind this one-take wonder discuss putting their best foot forward for a drama where collective action becomes its own crisis.
Berlinale 2026 Review: Lorenzo Ferro and Lucas A. Vignale’s “The River Train” Deliver a Ride Full of Childhood Wonder
A boy from the Argentinian countryside finds his eyes open wide by a trip to the city in this endearing film that shares his fresh perspective.
