New/Next Fest 2026 Review: Marnie Ellen Hertzler’s Infectiously Optimistic “Eternity One” Suggests the World in Turmoil Has a Lot to Learn From a Teen
The "Crestone" director returns with a unique connection of a teen overcoming her growing pains with greater global panic, yielding an encouraging doc.
Reed Van Dyk on Putting the Pieces Together of a Shattering Event in “Atonement”
The director discusses sensitively chronicling a contentious path towards peace after a soldier wants to take responsibility for destroying a family during war.
Amir Bar-Lev on Seeing the Other Side of the Mountain in “The Last First: Winter K2”
The director discusses looking back at a ruthless race to the top for a wide swath of mountaineers wanting to be the first to summit K2 in winter.
TIFF 2026 Interview: Mariia Volodymyrivna Ponomarova on Finding Out What’s In a Name in “Patronymic”
The director talks about how an omission on her passport led to opening up a whole can of worms regarding national identity in this playful, compelling doc.
TIFF 2026 Review: Matt Barats’ Painfully Funny “Anchors Aweigh” Turns the Tide on the Aimless Millennial Self-Portrait
A knowingly pretentious send-up of every film student's autobiographical thesis project they'd rather forget proves memorable.
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TIFF 2026 Review: Driven By Passion, Sung Kang’s “Drifter” Finds Its Way Across Some Treacherous Terrain
The "Fast & Furious" fan favorite assumes the director's chair to take a car movie in a different direction with this endearing outsider tale.
TIFF 2026 Review: A Story Survives the Convulsions of History in Edmund Yeo’s “The Age of Goodbyes”
Vivian Sung gives a memorable turn as the kind of woman that can elude the historical record in this touching if occasionally unwieldy drama.
TIFF 2026 Review: Drawing Out an Uncomfortable Subject, “Pretenders” Becomes a Mystery Achievement
With lead singer Chrissie Hynde a reticent interviewee, a bio of the "Back on the Chain Gang" band takes unique and intriguing shape.
