Sareen Hairabedian on the Many Internal Conflicts of “My Sweet Land”
The director discusses looking at war through the eyes of an 11-year-old witnessing his community gradually pulled apart in Artsakh.
Crystal Moselle, Derrick B. Harden, and Izabella Tzenkova on Riding the Waves in “The Black Sea”
The co-directors and producers of this delightful fish-out-of-water story set in Bulgaria talk about working without a net.
Elizabeth Sankey on Breaking Spells with “Witches”
The director discusses how turning to movies for perspective on becoming a new mother led to making her own to show how it really feels.
Jacquelyn Frohlich on the Driving Force Behind “Wayward”
The director discusses the road to making this Jess Weixler & Chloe Guidry drama about a mother and daughter brought together by separation.
DOC NYC 2024 Interview: Emily Mkrtichian on a Memory That Can’t Be Taken Away in “There Was, There Was Not”
The director discusses rebuilding hope amidst the destruction of her homeland of Artsakh with the tale of four resilient women.
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DOC NYC 2024 Review: Ondi Timoner’s “All God’s Children” Identifies a Shared Belief in a Higher Calling
The director chronicles her sister's attempts as a rabbi to unify her community by reaching out to a local church in this heartfelt doc.
DOC NYC 2024 Review: A Comedian Can No Longer Mask His Anger in Josh Forbes’ “Gallagher”
The infamous watermelon-smashing comic is shown to be more than a punchline in this absorbing warts and all biography.
DOC NYC 2024 Interview: Miriam Guttmann on the Footsteps Towards Finding Peace Amidst an Unending War in Ukraine in “Front Row”
The director talks about her time following the United Ukrainian Ballet Company across the U.S. in a beautiful bit of diplomacy.
