Cannes 2026 Review: Marine Atlan’s Magnificent Coming-of-Age Drama “La Gradiva” Shows Real Class
A celebrated cinematographer brings an exceptionally sharp observational eye as a director to this story of a chaotic class field trip.
Cannes 2026 Review: Nicolas Athané and Marco Nguyen’s Out and Out Animated Comedy “Jim Queen” Has Unexpected Muscle
The highly risqué comedy about an influencer who starts to lose his self-confidence becomes an unexpectedly energizing portrait of activism.
Cannes 2026 Review: A Quiet Connection Holds Considerable Power in Yukiko Sode’s “All the Lovers in the Night”
A gentle, tender drama emerges from this lovely adaptation of Mieko Kawakami’s novel about a proofreader who comes to question her good judgment.
Cannes 2026 Review: Life as a Twentysomething is an Ongoing Battle in Lila Pinell’s Punchy “Shana”
Eva Huault makes an impression as a combative young woman finds her existence is more fragile than she thought in this affable comedy.
Cannes 2026 Review: Marion Cotillard Plots a Great Escape in Guillaume Canet’s Engrossing Thriller “Karma”
A hideout has the potential to be worse than what a troubled woman is running from in this enormously entertaining film with cult appeal.
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Cannes 2026 Review: There’s Plenty to Rave About in Jordan Firstman’s Spectacular “Club Kid”
After establishing himself as a great comic foil on TV, the multihyphenate makes a case for being an even better filmmaker with this dramedy.
Cannes 2026 Review: Reed Van Dyk’s Piercing Drama “Atonement” Aims to Heal
Hiam Abbass, Kenneth Branagh and Boyd Holbrook give considerable gravitas to this drama about an unlikely meeting between a soldier and a family his unit destroyed.
Cannes 2026 Review: Saints and Sinners Look for Common Ground in Géssica Généus’ Soulful “Marie Madeleine”
A chance encounter between two people from opposite ends of the tracks in Haiti starts a spry spiritual quest in this energetic drama.
