Cannes 2026 Review: “Nostalgia for the Future” Allows Chris Marker’s Work to Speak for Itself
The daunting task of trying to encapsulate what the avant garde filmmaker was trying to do leads another to keep things appropriately open-ended.
Cannes 2026 Review: Pierre le Gall’s Magnetic Romance “Flesh and Fuel” Runs on Passion
Alexis Manenti gives a riveting turn as a long-haul trucker who wonders if he's capable of charting a new path after falling in love.
Natalie Erika James on Giving Plenty of Flavor to “Saccharine”
The "Relic" director discusses getting physical with this colorful body horror chiller about a young woman who doesn't see herself in the mirror.
Cannes 2026 Review: Laïla Marrakchi’s Moving Drama “Strawberries” Exposes the Bitter Seeds of an Inequitable System
Nisrin Erradi gives a performance that can't be overlooked in playing someone who often is as a farm worker who can't break a vicious cycle.
Cannes 2026 Review: The Consciousness of a Tragedy Takes Shape in Fascinating Ways in Bruno Santamaria Razo’s Brilliant “Six Months in a Pink and Blue Building”
This marvelous drama expresses the fallout of a devastating medical diagnosis seen through the eyes of an 11-year-old with fresh perspective.
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Cannes 2026 Review: “Dernsie: The Amazing Life of Bruce Dern” Finally Casts an Actor in the Right Light
The actor known for playing villains packs plenty of personality into this appropriately chaotic and entertaining portrait of the pursuit of greatness.
Cannes 2026 Review: Jorge Thielen Armand’s “Death Has No Master” Eerily Brings the Stain of a Colonial Past Into the Present
Asia Argento is ideally cast as a prickly protagonist in this effective slow-burn thriller about a woman returning to the plantation her father once ran.
Cannes 2026 Interview: Reuben Hamlyn on Raising “Sunday’s Children”
The director talks about this highly amusing comic short about a young man whose desire to have a baby can make him look childish.
