Avalon Fast on Digging Into Interior Lives in the Great Outdoors in “Camp”
The director talks about keeping the fire alive for this story of a sisterhood that develops in the woods during a summer retreat.
Carla Simón on Breaking Free of Reality’s Constraints in “Romería”
The director discusses her exhilarating drama about a young woman retracing the steps of her late parents and coming to terms with her past.
Alice Winocour on Weaving in the Personal Into the Fabric of “Couture”
The director of this Angelina Jolie-led ensemble drama discusses how she found the right fashion to speak to the things she fears the most.
Palm Springs Shortsfest 2026 Interview: Hugo de Sousa, Sarah Whelden and Kelly Wilcox on a Trail That Turns Especially Cold in “Best Friends with the Devil”
The filmmaking team discusses this darkly amusing short about a missing friend that leads to some uncomfortable soul searching.
Palm Springs Shortsfest 2026 Interview: Hazel McKibbin and Robert R. Palmer on the Run-Up to “Last Man Up”
The filmmakers discuss this taut dramatic short about a trio of friends who withhold information that threatens to unravel their relationship.
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Tribeca 2026 Review: A Fashion House Tries to Build Themselves a Longer Runway to Survive in “threeASFOUR: Full Circle”
A peek inside the practice of an innovative fashion designer shows the anxieties that reside just beneath all those glamorous clothes.
Dances with Films 2026 Review: Scott Tinkham & Michael Woloson “Littermates” is a Nifty Post-Apocalyptic Comedy
A war that leaves the masses unconscious of the past provides an opportunity both for an unscrupulous Brit, and a pair of sharp filmmakers in this clever pic.
Tribeca 2026 Review: Miiku Sakanishi’s “Memorizu” Considers the Long-Term Effects of a Snapshot
A picture of a family takes time to develop but yields rewards in this somber drama built around the idea of relying on media for memories.