Tribeca 2026 Interview: Alphan Eseli and Hazar Ergüçlü on Going on Instinct in “Mutter: Diary of a Mother”
The director and star of this chilling folk horror film discuss this tale of a woman whose newborn isn't what she'd expect – or anyone.
Tribeca 2026 Interview: Alvin Hall and Sam Pollard on a Hotel That Housed a Storied History in “The Lorraine”
The filmmakers discuss teaming up for this rollicking chronicle of a legendary resort that was welcoming to all during the Civil Rights era.
Adam Carter Rehmeier on Playing the Long Game in “Carolina Caroline”
The director discusses this riveting romance starring Samara Weaving and Kyle Gallner as a bank-robbing couple bound to steal hearts.
Tribeca 2026 Interview: Ellie Sachs on Something That Can Stand on Its Own in “Lucy Schulman”
The filmmaker discusses refining her voice in this delightful comedy about a young woman trying to figure out who she is apart from the people in her life.
Shunji Iwai on Rewriting Cinematic Language with “Love Letter”
The director talks about his auspicious debut feature, an unconventional time travel romance that kicked off a singular career.
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Tribeca 2026 Interview: Josh Alexander on Being Let In on a Bittersweet Symphony in “Sara Bareilles: Good Grief”
The director discusses the incredible access he was given for the recording of the singer/songwriter's deeply vulnerable new album.
Zach Heinzerling on the Never-Ending Rally of a Tennis Icon in “Nadal”
The director discusses this intimate look at the career of Rafael Nadal, reflecting on keeping the attitude he had at the start until the end.
Alexander Hammer on Recognizing a Divide Between Mind and Body in “Room to Move”
The director discusses this intimate portrait of Jenn Freeman, a choreographer who comes to learn why she feels disassociated from her own body.
