Ana Asensio on Refusing to Be Fenced In with “Goat Girl”
The "Most Beautiful Island" director discusses this enchanting coming-of-age story about a nine-year-old realizing she must chart her own path.
Dances With Films 2026 Interview: Jay Silverman on Getting Into “Yale”
The director discusses this Caitlin McGee-Kevin Dunn dramedy about an estranged daughter and dad forced back together by the fate of her son.
DC/DOX 2026 Review: Miniatures Speak to a Much Bigger Life in Anna Fitch’s Inspired “Yo (Love is a Rebellious Bird)”
An artist takes comfort in creativity to evoke the life of her dearly departed friend who lived life on her own terms in this buoyant doc.
Tribeca 2026 Interview: Blake Winston Rice on Finding Truth and Humor in a Shame Spiral in “Disc”
The director talks about this sharp comic short involving a one night stand where true vulnerability is only shown the morning after.
DC/DOX 2026 Review: An Education Requires a Break from Past Ideas in Jeremy Workman’s Moving “School for Defectors”
"Secret Mall Apartment" director Jeremy Workman crafts a deeply touching portrait of students building a future while contending with a past they had no control over.
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Tribeca 2026 Interview: Noam Argov and Sappir Argov on Finding an Internal War of the Worlds in “Verse”
The creative duo behind this dramatic short discuss connecting virtual and physical reality in the emotions it brings about for a couple with one foot in each.
Tribeca 2026 Review: Critical Thinking Has Led to Unconditional Love in Alison Chernick’s Luminous “House of Criticism”
Jerry Saltz and Roberta Smith may be known for sharp critique as arts writers for rival NY publications, but a new doc sees it built on a foundation of love.
Tribeca 2026 Interview: Frank Sun, b Norwood and Kate Pittard on Being Image Conscious in “Fabric”
The director and stars of this emotionally charged dramatic short set in the fashion world discuss pictures worth a thousand words and then some.
