Tribeca 2026 Review: Critical Thinking Has Led to Unconditional Love in Alison Chernick’s Luminous “House of Criticism”
Jerry Saltz and Roberta Smith may be known for sharp critique as arts writers for rival NY publications, but a new doc sees it built on a foundation of love.
Tribeca 2026 Interview: Frank Sun, b Norwood and Kate Pittard on Being Image Conscious in “Fabric”
The director and stars of this emotionally charged dramatic short set in the fashion world discuss pictures worth a thousand words and then some.
Tribeca 2026 Interview: Alexander DeSouza Finding Something Real in “Holo”
The director talks about this inspired sci-fi short about a widow whose hopes to have a different set of last words to her husband ends in disaster.
DC/DOX 2026 Interview: Ora DeKornfeld on the State of Play in “The Grandfather Puzzle” and “Stalin Boys”
The filmmaker discusses taking the festival circuit by storm with two striking documentaries, both putting history within reach of this generation.
DC/DOX 2026 Interview: Khaula Malik on the Difficulty of Trying to Make a Clean Break in “The Custodian”
After keeping the flame alive for his favorite football team alive by archiving its history, a fan worries about burnout in this tender doc.
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Tribeca 2026 Review: There’s No Honor Among Thieves in Mickey Keating’s Trigger Happy “Crooks”
The director of "Offseason" and "Carnage Park" finds that the criminal underworld shares a lot in common with showbiz in this clever noir.
Tribeca 2026 Review: A Trucker Hopes There’s More Than Coal in Her Stocking in Khoroldorj Choijoovanchig’s “Colors of White Rock”
A Mongolian trucker who finds better wages in driving a big rig across the Gobi Desert wonders if the true cost is elsewhere in this enlightening doc.
Tribeca 2026 Interview: Andrew Neel on Fearing What Becomes Palatable to the Public in “How to Feed a Dictator”
The director talks about this unnerving doc about the chefs that set aside any reservations about serving murderous heads of state.
