Telluride Film Fest 2026 Review: Nathan and David Zellner Fight the Good Fight in the Prepostorously Funny “Alpha Gang”
The "Sasquatch Summer" directors return with this hoot-and-a-half about a group of aliens whose mission to Earth to take over the planet may be in vain.
Jesse Moss and Amanda McBaine on a Story Worth Digging Into in “Teenage Wasteland”
The "Boys State" directors discuss taking inspiration in a group of high school students in the '90s that uncovered a local scandal and pushed for change.
Telluride 2026 Review: Arthur Harari’s “The Unknown” Gets Under the Skin
An eerie thriller about a virus that leads to people swapping bodies becomes a moving interrogation of the spirit starring a great Lea Seydoux.
Telluride 2026 Review: A Writer of Great Tragedies Narrowly Avoids Authoring One in His Life in the Fun and Frisky “The Idiot(s)”
Aimee Lou Wood gives a radiant turn as Dostoevsky's wife who alleviates the Russian novelist's writer's block and lifts up this comic biopic.
David Grabias on Vividly Evoking What a World Without Sight is Like in “Brailled It”
The director discusses how the Braille Challenge opened the doors to a unique documentary about how the visually impaired experience the world.
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Tina Gharavi on Seeing the Sky at the Limit in “Virginia Woolf’s Night and Day”
The director discusses this propulsive drama starring Haley Bennett as a woman fighting to be taken seriously as an astronomer and reaching for the stars herself as a filmmaker.
Venice Film Fest 2026 Review: An Old Artform Leads to Something New for Takashi Miike in the Doc “Shumei: The Living Legacy of Kabuki”
The director known for horror films finds a different kind of bloodline to follow with this engaging history of the Ichikawa family that has kept Kabuki theater alive.
