Julia Loktev on Making Crucial Connections in “My Undesirable Friends Part II: Exile”
The director discusses completing (for now) one of the truly great cinematic achievements of our time, following Russian dissident journalists as they carry on around the world.
Dominik Moll on Giving a Criminal Investigation Real Momentum in “Case 137”
The director discusses the grander ambitions of his taut drama starring Léa Drucker as a cop who wonders where the truth lies about her colleagues.
Susanne Rostock and Carmen Perez on Honoring a Legacy of Pushing for Social Progress in “Following Harry”
The director talks about Harry Belafonte's ongoing inspiration as a singular talent who wasn't content until making the world better for all.
TIFF 2026 Review: There’s No Rest for the Wicked in Wayne Wang’s Delicious Drama “Diary of a Mad Old Man”
"The Joy Luck Club" director looks to be crazy like a fox with this heartfelt and horny adaptation of Jun’ichirō Tanizaki’s novel about an unexpected friendship.
TIFF 2026 Review: Experience Makes Alexandra Pechman’s “Magazine” Most Noteworthy
Lily McInerney stars as a summer intern at a tony literary journal in New York who wonders what comes after in this drama with significant staying power.
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TIFF 2026 Review: A Witch Hunt Reveals the Makings of Other Monsters in May el-Toukhy’s Staggering “Woman Unknown”
Mathilde Arcel delivers an stunning turn as a bride-to-be who has to fear her past coming back to haunt her in this electrifying drama.
Samuel Abrahams on Putting Up a Funhouse Mirror in “Lady”
The director talks about this comedy starring Sian Clifford as an aristocrat desperate to share the spoils of a cushy life with the public.
Sky Hopkina on Capturing Movement Over Time and Space in “Powwow People”
The multidisciplinary artist discusses his euphoric second feature unfolding at the traditional indigenous celebration that truly becomes a fount for joy.
