Venice Film Fest 2026 Review: Raising a College Student Leaves a Couple Looking to Re-Learn How to Live in “Una Storia (A Common Story)”
Alba Rohrwacher and Giuseppe Pestillo star as parents who wonder who they are in an empty nest in Anna Foglietta's tender drama.
Venice Film Fest 2026 Review: Luke Lorentzen’s “Boatbuilders” Brilliantly Observes the Architecture of a Community
The director of "A Still, Small Voice" heads to the coast of Maine for this beautiful look at a company keeping more afloat than the yachts they work on.
Telluride Film Fest 2026 Review: Nathan and David Zellner Fight the Good Fight in the Prepostorously Funny “Alpha Gang”
The "Sasquatch Summer" directors return with this hoot-and-a-half about a group of aliens whose mission to Earth to take over the planet may be in vain.
Jesse Moss and Amanda McBaine on a Story Worth Digging Into in “Teenage Wasteland”
The "Boys State" directors discuss taking inspiration in a group of high school students in the '90s that uncovered a local scandal and pushed for change.
Telluride 2026 Review: Arthur Harari’s “The Unknown” Gets Under the Skin
An eerie thriller about a virus that leads to people swapping bodies becomes a moving interrogation of the spirit starring a great Lea Seydoux.
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Telluride 2026 Review: A Writer of Great Tragedies Narrowly Avoids Authoring One in His Life in the Fun and Frisky “The Idiot(s)”
Aimee Lou Wood gives a radiant turn as Dostoevsky's wife who alleviates the Russian novelist's writer's block and lifts up this comic biopic.
David Grabias on Vividly Evoking What a World Without Sight is Like in “Brailled It”
The director discusses how the Braille Challenge opened the doors to a unique documentary about how the visually impaired experience the world.
Tina Gharavi on Seeing the Sky at the Limit in “Virginia Woolf’s Night and Day”
The director discusses this propulsive drama starring Haley Bennett as a woman fighting to be taken seriously as an astronomer and reaching for the stars herself as a filmmaker.
