Hlynur Pálmason on Picking Up the Pieces in “The Love That Remains”
The "Godland" director talks about shaking things up with stirring and spry comedy about a family finding their way through a divorce.
Hasan Hadi on Finding All the Right Ingredients for “The President’s Cake”
The director discusses his Camera d'Or-winning debut about a young girl who faces impossible odds in '90s Iraq satisfying her teacher's desire for dessert.
Sundance 2026 Review: A Renaissance Stirs Once More in the Dazzling “Once Upon a Time in Harlem”
A decision by William Greaves to capture the artists of the Harlem Renaissance while they were still alive yields this vibrant living history.
Sundance 2026 Review: Craftsmanship is at the Heart of Eleanor Wilson and Alex Huston Fischer’s Sidesplitting “Wicker”
The "Save Yourselves" directors outdo themselves with this splendid satire starring Olivia Colman as a fisherwoman who makes quite the catch.
Sundance 2026 Review: Biljana Tutorov and Petar Glomazić’s “To Hold a Mountain” Offers a Strong Portrait of Resilience
A denizen of the mountains in Montenegro fights to sustain the only life she's ever known in this delicate yet powerful doc.
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Sundance 2026 Review: “If I Go Will They Miss Me” Delivers an Intricate and Exquisite Homecoming
Walter Thompson-Hernández delivers an instantly essential piece of Los Angeles cinema with this father-son drama set in Watts.
Sundance 2026 Interview: Alex Fischman Cárdenas and Trout Cohen on Satisfying an Itch That Needed to Be Scratched in “¡PIKA!”
The writer and director talk about this irresistible black comedy about one man's futile search to feel comfortable in his own skin.
Simón Mesa Soto on What Falls Between the Lines in “A Poet”
The director of this bitingly funny comedy from Colombia talks about a writer who struggles to see any beauty in the life of an artist.
