Casey Carter on Raising Voices Around a Quiet Nuclear Catastrophe in “To Use a Mountain”
The director discusses this revelatory documentary retracing the steps taken towards finding a site within the U.S. to dump its nuclear waste.
Chris Zuhdi on Reaching for the Long Tail in “Nine Black Cats”
The director discusses this trippy thriller ready to develop a cult following with the tale of a cop whose search for a serial killer uncovers a conspiracy.
Edinburgh Film Fest 2026 Review: “The Arrow at Rest at Every Instant of its Flight” Hits the Mark
A reunion between Gus Birney and Theodore Schaefer, the star and director of “Giving Birth to a Butterfly” yields a wonderful new adventure.
Edinburgh Film Fest 2026 Review: Olivia Luccardi is the Life of the Party in Frieda Luk’s “Sacred Creatures”
Olivia Luccardi delights as would-be prophet whose immediate family is more skeptical than others in this amusing meditation on faith.
Locarno Film Fest 2026 Review: A Family Worries a Foundation of Tradition May Slip Away in Asmahan Bkerat’s “Concrete Land”
A Bedouin family is threatened with having to resettle but also have shifting ideas about how to carry on from within in this compelling doc.
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Adam Meeks on a Road to Recovery in “Union County”
The director of this Will Poulter-Noah Centineo drama discusses incorporating real court proceedings into this drama of brothers trying to shake addiction.
Locarno Film Fest 2026 Review: An Explosives Expert is Faced with His Life Imploding in Sergio Castro-San Martín’s “Il Cileno”
A man in political exile struggles to get comfortable in his new surroundings after his professional mining skills come in handy in another nation's revolution.
Todd Stephens on Taking the Long Way Back to “Gypsy 83”
The "Swan Song" and "Edge of Seventeen" director discusses restoring the moving middle chapter of his Sandusky trilogy to its rightful place.
