Telluride 2026 Review: Arthur Harari’s “The Unknown” Gets Under the Skin
An eerie thriller about a virus that leads to people swapping bodies becomes a moving interrogation of the spirit starring a great Lea Seydoux.
Telluride 2026 Review: A Writer of Great Tragedies Narrowly Avoids Authoring One in His Life in the Fun and Frisky “The Idiot(s)”
Aimee Lou Wood gives a radiant turn as Dostoevsky's wife who alleviates the Russian novelist's writer's block and lifts up this comic biopic.
David Grabias on Vividly Evoking What a World Without Sight is Like in “Brailled It”
The director discusses how the Braille Challenge opened the doors to a unique documentary about how the visually impaired experience the world.
Tina Gharavi on Seeing the Sky at the Limit in “Virginia Woolf’s Night and Day”
The director discusses this propulsive drama starring Haley Bennett as a woman fighting to be taken seriously as an astronomer and reaching for the stars herself as a filmmaker.
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Venice Film Fest 2026 Review: An Old Artform Leads to Something New for Takashi Miike in the Doc “Shumei: The Living Legacy of Kabuki”
The director known for horror films finds a different kind of bloodline to follow with this engaging history of the Ichikawa family that has kept Kabuki theater alive.
Venice Film Fest 2026 Review: Robert Greene’s Exuberant “Too Much Sugar” Reveals Truths About Fatherhood With a Little Fantasy
A father of six finds film to be a bonding activity after he's strained some ties in this kaleidoscopic portrait from the director of "Procession."
Rafael Manuel on Making a Debut That’s More Than Up to Par in “Filipiñana”
The director discusses his splendid satire set at a golf course in the Philippines presenting the gulf between the haves and have nots.
