David Pablos on the Drive Behind “On the Road”
The director describes going the route less traveled for this indelible drama set on the highways of Mexico where two men forge a connection.
Daniel Lombroso on Injecting Some Serious Reflection Into the Male Enhancement Doc “Manhood”
The "White Noise" director talks about this entertaining and thought-provoking deep dive into the wild world of penile enhancement.
Itab Azzam and Jack MacInnes on Finding New Places to Explore in the Refugee Tale “One in a Million”
The filmmakers discuss their decade-long dedication to following a Syrian family who flee war but find the battle to stay together is hardly over.
Jenni Olson on Finding a Universal Moment for Transformation with Mini Masc
The filmmaker and archivist discusses this revelatory screening series at Metrograph showcasing early international expressions of the trans experience.
Julia Loktev on Making Crucial Connections in “My Undesirable Friends Part II: Exile”
The director discusses completing (for now) one of the truly great cinematic achievements of our time, following Russian dissident journalists as they carry on around the world.
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Dominik Moll on Giving a Criminal Investigation Real Momentum in “Case 137”
The director discusses the grander ambitions of his taut drama starring Léa Drucker as a cop who wonders where the truth lies about her colleagues.
Susanne Rostock and Carmen Perez on Honoring a Legacy of Pushing for Social Progress in “Following Harry”
The director talks about Harry Belafonte's ongoing inspiration as a singular talent who wasn't content until making the world better for all.
TIFF 2026 Review: There’s No Rest for the Wicked in Wayne Wang’s Delicious Drama “Diary of a Mad Old Man”
"The Joy Luck Club" director looks to be crazy like a fox with this heartfelt and horny adaptation of Jun’ichirō Tanizaki’s novel about an unexpected friendship.
