Cannes 2026 Interview: Reuben Hamlyn on Raising “Sunday’s Children”
The director talks about this highly amusing comic short about a young man whose desire to have a baby can make him look childish.
Cannes 2026 Review: A Dog and Its Owner Share a Restlessness in Dominga Sotomayor’s Gripping “La Perra”
A pet would seem to complete a woman's life on the idyllic coast of Chile but it starts to open up an unresolved past in this strong drama.
Cannes 2026 Review: Marine Atlan’s Magnificent Coming-of-Age Drama “La Gradiva” Shows Real Class
A celebrated cinematographer brings an exceptionally sharp observational eye as a director to this story of a chaotic class field trip.
Cannes 2026 Review: Nicolas Athané and Marco Nguyen’s Out and Out Animated Comedy “Jim Queen” Has Unexpected Muscle
The highly risqué comedy about an influencer who starts to lose his self-confidence becomes an unexpectedly energizing portrait of activism.
Cannes 2026 Review: A Quiet Connection Holds Considerable Power in Yukiko Sode’s “All the Lovers in the Night”
A gentle, tender drama emerges from this lovely adaptation of Mieko Kawakami’s novel about a proofreader who comes to question her good judgment.
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Cannes 2026 Review: Life as a Twentysomething is an Ongoing Battle in Lila Pinell’s Punchy “Shana”
Eva Huault makes an impression as a combative young woman finds her existence is more fragile than she thought in this affable comedy.
Cannes 2026 Review: Marion Cotillard Plots a Great Escape in Guillaume Canet’s Engrossing Thriller “Karma”
A hideout has the potential to be worse than what a troubled woman is running from in this enormously entertaining film with cult appeal.
Cannes 2026 Review: There’s Plenty to Rave About in Jordan Firstman’s Spectacular “Club Kid”
After establishing himself as a great comic foil on TV, the multihyphenate makes a case for being an even better filmmaker with this dramedy.
