Lauren Meyering on Taking Great Strides in “Horsegirls”
The director discusses this endearing drama about a young autistic woman who starts to find her footing as an adult by getting in the saddle.
Eran Riklis on Telling Stories That Travel in “Reading Lolita in Tehran”
The director talks about how many bridges he had to build to bring this adaptation of Azar Nafisi's bestselling novel to the screen.
David Wain and Ken Marino on the Method Behind the Madness of “Gail Daughtry and the Celebrity Sex Pass”
The State alums and longtime creative duo talk about having patience to find the right punchlines in their raucous comedies.
Jessica Earnshaw on Creating a Place of Reflection in “Baby Doe”
The director of "Jacinta" discusses this staggering doc where an unfathomable crime becomes the starting place for rethinking the justice system.
Georgia Bernstein on Heeding the Call of “Night Nurse”
The director discusses this intoxicating thriller about a caretaker who wonders how her own needs are being met as she walks an illicit path.
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Michèle Stephenson on Drawing on the Energy of a Movement in “True North: Canadian Myths and Black Power”
The director of "Stateless" talks about uncovering a flashpoint for the fight for civil rights in Canada during the 1960s.
Tribeca 2026 Interview: Eddie Sánchez on Bringing Together a Unique Family Portrait “MexicanAmerican”
The director discusses using film to connect family living on both sides of the border both in his childhood and now his moving feature debut.
Tribeca 2026 Interview: Liza Mandelup on Next Moves in “Grandmasters”
The "Jawline" director discusses this exciting look at professional chess caught between its past and future where everything's on the table.
