Jessica Earnshaw on Creating a Place of Reflection in “Baby Doe”
The director of "Jacinta" discusses this staggering doc where an unfathomable crime becomes the starting place for rethinking the justice system.
Georgia Bernstein on Heeding the Call of “Night Nurse”
The director discusses this intoxicating thriller about a caretaker who wonders how her own needs are being met as she walks an illicit path.
Michèle Stephenson on Drawing on the Energy of a Movement in “True North: Canadian Myths and Black Power”
The director of "Stateless" talks about uncovering a flashpoint for the fight for civil rights in Canada during the 1960s.
Tribeca 2026 Interview: Eddie Sánchez on Bringing Together a Unique Family Portrait “MexicanAmerican”
The director discusses using film to connect family living on both sides of the border both in his childhood and now his moving feature debut.
Tribeca 2026 Interview: Liza Mandelup on Next Moves in “Grandmasters”
The "Jawline" director discusses this exciting look at professional chess caught between its past and future where everything's on the table.
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Tribeca 2026 Interview: Gabriella Diaz Arp on Going Back to the Motherland in “Matininó”
The director on finding the sweet spot for catharsis in this narrative/nonfiction hybrid about a family processing an abusive past.
Avalon Fast on Digging Into Interior Lives in the Great Outdoors in “Camp”
The director talks about keeping the fire alive for this story of a sisterhood that develops in the woods during a summer retreat.
Carla Simón on Breaking Free of Reality’s Constraints in “Romería”
The director discusses her exhilarating drama about a young woman retracing the steps of her late parents and coming to terms with her past.
