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New/Next Fest 2026 Review: Marnie Ellen Hertzler’s Infectiously Optimistic “Eternity One” Suggests the World in Turmoil Has a Lot to Learn From a Teen

Reed Van Dyk on Putting the Pieces Together of a Shattering Event in “Atonement”

Amir Bar-Lev on Seeing the Other Side of the Mountain in “The Last First: Winter K2”

TIFF 2026 Interview: Mariia Volodymyrivna Ponomarova on Finding Out What’s In a Name in “Patronymic”

TIFF 2026 Review: Matt Barats’ Painfully Funny “Anchors Aweigh” Turns the Tide on the Aimless Millennial Self-Portrait

TIFF 2026 Review: There’s No Slack in Retrieving Some Jeans in Eugene Kotlyarenko’s Ruthless Thriller “Vintage Violence”