Mary Dauterman on a Most Curious Cat in “Booger”
The director discusses this dark comedy about a woman coming to terms with the loss of her friend through the search for her missing cat.
Beyond Fest 2024 Review: Galder Gatztelu-Urrutia’s “Rich Flu” Finds Value in Other Currencies Besides Cash
"The Platform" director builds a strong starring vehicle for Mary Elizabeth Winstead as someone who suddenly finds her fortune worthless.
Erik Nelson on Reviving John and Yoko’s Progressive Talk Show Takeover in “Daytime Revolution”
The director of this doc on John Lennon & Yoko Ono's guest-hosting stint on "The Mike Douglas Show" discusses using a platform to its fullest.
Mill Valley Film Fest 2024 Review: A Romance Leads a Couple to Grow Up Fast in Zoe Eisenberg’s “Chaperone”
A Hawaiian native finds out no woman is an island as she enters a illicit relationship with a high schooler in this provocative drama.
Beyond Fest 2024 Review: A Career Fantasist Appears to Be a Fanatic in Otso Tiainen’s Fascinating “Shadowland”
When "Color Out of Mind" director Richard Stanley wants to start a new religion in the Pyranees, this doc exposes a different cult following.
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Mill Valley Film Fest 2024 Review: Amy Forsyth Makes a Meal of Elizabeth Cairns’ Gripping Cult Drama “Inedia”
Amy Forsyth, a strong supporting player in films such as "CODA," stands on her own in more ways than one in this riveting character study.
Danielle Krudy and Bridget Savage Cole on the Matters of Taste in “House of Spoils”
The "Blow the Man Down" directors discuss dishing up a slice of horror in this tale of a chef (Ariana DeBose) preparing a restaurant opening.
Rick Goldsmith on Reporting the Resistance in “Stripped for Parts: American Journalism on the Brink”
The director discusses the unfolding crisis for democracy as hedge funds buy news outlets with little regard for the reporting they produce.
