The Moveable Fest
The Moveable Fest
  • Interviews
    Interviews

    Stefan Forbes on Negotiating a Constructive Cultural Conversation in “Hold Your Fire”

    Alessandro Celli on Piecing Together a World in Ruins in “Mondocane”

    Human Rights Watch Film Fest 2022 Interview: Maia Kenworthy and Elena Sánchez Bellot on Making a Difference and the Differences Getting There in “Rebellion”

  • Reviews
    Reviews

    Cannes 2022 Review: A Trickle of Doubt Opens Up a Flood of Emotions in Elena López Riera’s “El Agua”

    How the Other Half Lives: On Gaspar Noé’s Provocative Act of Compassion in “Vortex” and “Lux Æterna”

    Hot Docs 2022 Review: The Power of a Family Secret Shifts from the Keepers to Those Willing to Expose It in Jasmin Mara López’s “Silent Beauty”

  • The Mentaculist
    The Mentaculist
    Matt Damon in "Euro Trip"

    Matt Damon: A Career in Cameos

    Independence Day: My Street

    Five Movie Marketing Miscues That Blew Up in All the Wrong Ways

    Lucas Black and Nathalie Kelley in "Fast & Furious: Tokyo Drift"

    Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
    “Fast & Furious” Franchise

  • Retrospective
    Retrospective

    Reclaiming Reality: Mario Van Peebles on Reimagining a City and an Industry in “New Jack City”

    Joachim Trier on “The Worst Person in the World” Epilogue, Freezing Oslo in Time and More with Paul Thomas Anderson

    A Resolution Comes True: The Making of “Get Crazy,” the Ultimate New Year’s Movie and Its Wild Restoration

  • Trending
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    Cannes 2022 Review: A Trickle of Doubt Opens Up a Flood of Emotions in Elena López Riera’s “El Agua”

    Alessandro Celli on Piecing Together a World in Ruins in “Mondocane”

    Human Rights Watch Film Fest 2022 Interview: Maia Kenworthy and Elena Sánchez Bellot on Making a Difference and the Differences Getting There in “Rebellion”

    “Every Day Was Like, ‘How Do We Pull This Off?'” Martin Brest on “Midnight Run”

    Seven Quirky Lowbrow Favorite Films of Highbrow Directors

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Sundance 2020

ReviewsSundance

Sundance 2020 Review: “Once Upon a Time in Venezuela” Brings the Thunder

A small fishing village threatened with a dry spell speaks to the bigger picture in the besieged nation.
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ReviewsSundance

Sundance 2020 Review: Lance Oppenheim’s “Some Kind of Heaven” is One Glorious Trip

Visiting a playground for senior citizens in Florida, the first-time director makes a marvelous feature debut about people needing to look towards their better angels in their golden years.
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ReviewsSundance

Sundance 2020 Review: Edson Oda’s “Nine Days” Offers a Rare and Special Time to Reflect

Built around strong performances from Winston Duke and Zazie Beetz, this drama considering the world we’re born into is a wonder to behold.
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ReviewsSundance

Sundance 2020 Review: Garrett Bradley Conveys the Great Power of “Time”

A woman's quest to get her husband out of prison becomes a moving elegy to all that's been lost in his time away.
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ReviewsSundance

Sundance 2020 Review: Matt Wolf Finds the Reality in the Beautiful Dream of “Spaceship Earth”

A project looking towards sustainable life on Mars runs into the smaller imaginations of those here on Earth in the "Teenage" director's fascinating look at Biosphere 2.
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InterviewsSundance

Sundance 2020 Interview: Linas Phillips on the Driving Forces Behind “The Ride”

The "Rainbow Time" director talks about the journey being the destination in this new comedy series about a lovelorn rideshare driver.
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InterviewsSundance

Interview: Esteban Arango and Erick Castrillon on Getting Loud with “Blast Beat”

On making this fun, frenetic family drama about two brothers who march to their own drummer, oftentimes quite literally.
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ReviewsSundance

Sundance 2020 Review: There’s Flashes of Brilliance in Heidi Ewing’s Exquisite “I Carry You With Me”

The co-director of docs such as "Jesus Camp" and "Detropia" makes her solo narrative debut on this heartrending love story where nothing's lost in translation.
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ReviewsSundance

Sundance 2020 Review: A Jazz Musician Has a Lot to Play for in Eugene Ashe’s Beautiful “Sylvie’s Love”

Tessa Thompson and Nnamdi Asoghmua shine in this marvelous riff on ‘60s technicolor melodramas.
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ReviewsSundance

Sundance 2020 Review: A House is Not a Home in Josephine Decker’s Enthralling “Shirley”

A peek inside the life of author Shirley Jackson becomes a ferocious tale of two women running up against society's expectations of them in the latest from the "Madeline's Madeline" director.
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InterviewsSundance

Sundance 2020 Interview: Radu Ciorniciuc on a Family That Comes Out of the Wilderness in “Acasa, My Home”

The director on telling the story of a family that doesn't leave their nature behind when forced to move into the city in this fascinating documentary.
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ReviewsSundance

Sundance 2020 Review: Sara Colangelo Brings Out the Real Value in “Worth”

The director locates a fascinating moral drama in looking at the dispersal of the 9/11 Victims Fund in her strong follow-up to "The Kindergarten Teacher."
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Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

Mildred Loving, Peggy Loving and Richard Loving in "The Loving Story"
Interviews

Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

The Mentaculist

Playing God: 13 Actors Who Dared To Be the Deity in Movies

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