DC/DOX 2024 Review: A.J. Schnack’s “Majority Rules” is a Political Doc That Separates Itself From the Pack
Tribeca 2024 Review: It Can Feel Lonely in a Friendship in Joel Potrykus’ Unexpectedly Poignant “Vulcanizadora”
Tribeca 2024 Review: Solving a Case Starts to Look Like a Crime in Nnamdi Asomugha’s Gripping Thriller “The Knife”
ReviewsSundance·2 min readSundance 2020 Review: A Jazz Musician Has a Lot to Play for in Eugene Ashe’s Beautiful “Sylvie’s Love”
InterviewsSundance·7 min readSundance 2020 Interview: Linas Phillips on the Driving Forces Behind “The Ride”
ReviewsSundance·2 min readSundance 2020 Review: Edson Oda’s “Nine Days” Offers a Rare and Special Time to Reflect
InterviewsSundance·8 min readSundance 2020 Interview: Radu Ciorniciuc on a Family That Comes Out of the Wilderness in “Acasa, My Home”
ReviewsSundance·2 min readSundance 2020 Review: There’s Flashes of Brilliance in Heidi Ewing’s Exquisite “I Carry You With Me”
ReviewsSundance·2 min readSundance 2020 Review: Matt Wolf Finds the Reality in the Beautiful Dream of “Spaceship Earth”
ReviewsSundance·3 min readSundance 2020 Review: Lance Oppenheim’s “Some Kind of Heaven” is One Glorious Trip
ReviewsSundance·2 min readSundance 2020 Review: A House is Not a Home in Josephine Decker’s Enthralling “Shirley”
InterviewsSundance·8 min readInterview: Esteban Arango and Erick Castrillon on Getting Loud with “Blast Beat”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”