June 7, 2026 Tribeca 2026 Review: A Pair of Mothers Search for Independence on the 4th of July in Rachel Rose’s Stirring “The Last Day”
June 7, 2026 Tribeca 2026 Review: Jeffrey Schwarz’s “Mineshaft: The Cruising Murders” Revisits a Crime with Great Empathy
June 7, 2026 Tribeca 2026 Review: Progress is a Delicate Dance in Allison Berg’s Heartening “Time Warp”
June 7, 2026 Tribeca 2026 Review: A New York Underground Tries to Rise Above in Joshua Z. Weinstein’s Vigorous “Here I’m Alive”
June 7, 2026 Tribeca 2026 Review: A Pair of Mothers Search for Independence on the 4th of July in Rachel Rose’s Stirring “The Last Day”
June 7, 2026 Tribeca 2026 Review: Jeffrey Schwarz’s “Mineshaft: The Cruising Murders” Revisits a Crime with Great Empathy
June 7, 2026 Tribeca 2026 Review: Progress is a Delicate Dance in Allison Berg’s Heartening “Time Warp”
June 7, 2026 Tribeca 2026 Review: A New York Underground Tries to Rise Above in Joshua Z. Weinstein’s Vigorous “Here I’m Alive”
February 6, 2020 Sundance 2020 Review: Matt Wolf Finds the Reality in the Beautiful Dream of “Spaceship Earth”
February 3, 2020 Sundance 2020 Review: A Jazz Musician Has a Lot to Play for in Eugene Ashe’s Beautiful “Sylvie’s Love”
February 3, 2020 Sundance 2020 Review: A House is Not a Home in Josephine Decker’s Enthralling “Shirley”
February 2, 2020 Sundance 2020 Review: Edson Oda’s “Nine Days” Offers a Rare and Special Time to Reflect
January 31, 2020 Sundance 2020 Interview: Radu Ciorniciuc on a Family That Comes Out of the Wilderness in “Acasa, My Home”
January 29, 2020 Sundance 2020 Review: There’s Flashes of Brilliance in Heidi Ewing’s Exquisite “I Carry You With Me”
