DC/DOX 2024 Review: A.J. Schnack’s “Majority Rules” is a Political Doc That Separates Itself From the Pack
Tribeca 2024 Review: It Can Feel Lonely in a Friendship in Joel Potrykus’ Unexpectedly Poignant “Vulcanizadora”
Tribeca 2024 Review: Solving a Case Starts to Look Like a Crime in Nnamdi Asomugha’s Gripping Thriller “The Knife”
ReviewsSundance·3 min readSundance 2024 Review: “Sugarcane” Starts a Conversation Around an Atrocity for Which There Are No Words
ReviewsSundance·2 min readSundance 2024 Review: “The Battle of Laikipia” Outlines a Conflict Where the Cows Can’t Come Home
ReviewsSundance·2 min readSundance 2024 Review: A Young Prodigy Tries to Get it to All Add Up in Chiwetel Ejiofor’s “Rob Peace”
ReviewsSundance·3 min readSundance 2024 Review: An Artist Wonders If a Painful Past Can Be Palatable in “Exhibiting Forgiveness”
InterviewsSundance·9 min readSundance 2024 Interview: Raha Amirfazli and Alireza Ghasemi on a Home for the Displaced “In the Land of Brothers”
InterviewsSundance·9 min readSundance 2024 Interview: Klaudia Reynicke on the Crowning Achievement of “Reinas”
ReviewsSundance·3 min readSundance 2024 Review: Fear is a Funny Thing in Caroline Lindy’s “Your Monster”
InterviewsSundance·9 min readSundance 2024 Interview: Scott Cummings on the Devil You Know in “Realm of Satan”
InterviewsSundance·10 min readSundance 2024 Interview: Hans Block and Moritz Riesewieck on a Conversation with the Unknown in “Eternal You”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”