July 24, 2026 Fantasia Fest 2026 Review: A Makeup Artist Can’t Patch Up Everything in Nick Taylor’s Riveting and Reflective “Rubberhead: The Life and Monsters of Steve Johnson”
July 24, 2026 Fantasia Fest 2026 Review: A Makeup Artist Can’t Patch Up Everything in Nick Taylor’s Riveting and Reflective “Rubberhead: The Life and Monsters of Steve Johnson”
February 18, 2026 Berlinale 2026 Review: Patric Chiha’s “A Russian Winter” Affords Some Sun to Those Left Out in the Cold
February 14, 2026 Berlinale 2025 Review: A Pair of Misfits Embark on a Tender Romance in Ian de la Rosa’s Touching “Iván & Hadoum”
January 27, 2026 Sundance 2026 Review: A Fragile Situation is Brought to Light in Liz Sargent’s Solid “Take Me Home”
November 29, 2025 DOC NYC 2025 Review: Lorena Luciano’s “Nuns Vs. the Vatican” Brings a Powerful Priest’s Abuses Into the Light
October 27, 2025 AFI Fest 2025 Review: Laszlo Nemes’ Absorbing “Orphan” Finds a Post-War Battlefield in the Mind of a Child
May 14, 2025 Cannes 2024 Review: A Young Man’s Uneasy with Having It Easy in Laurent Cantet’s Tremendous “Enzo”
March 17, 2025 SXSW 2025 Review: A Sticky Situation Ends Up Being a Fair Bit of Fun in J Pinder’s “Cotton Candy Bubble Gum”
November 18, 2024 DOC NYC 2024 Review: Ondi Timoner’s “All God’s Children” Identifies a Shared Belief in a Higher Calling
September 15, 2024 TIFF 2024 Review: A Former War Correspondent Looks for Peace of Mind Amongst Her Own Tortured Family in “Tata”
June 27, 2024 DC/DOX 2024 Review: A.J. Schnack’s “Majority Rules” is a Political Doc That Separates Itself From the Pack
June 17, 2024 Tribeca 2024 Review: It Can Feel Lonely in a Friendship in Joel Potrykus’ Unexpectedly Poignant “Vulcanizadora”
June 13, 2024 Tribeca 2024 Review: Solving a Case Starts to Look Like a Crime in Nnamdi Asomugha’s Gripping Thriller “The Knife”
