May 17, 2026 Cannes 2026 Review: A Quiet Connection Holds Considerable Power in Yukiko Sode’s “All the Lovers in the Night”
May 16, 2026 Cannes 2026 Review: Life as a Twentysomething is an Ongoing Battle in Lila Pinell’s Punchy “Shana”
May 15, 2026 Cannes 2026 Review: Marion Cotillard Plots a Great Escape in Guillaume Canet’s Engrossing Thriller “Karma”
May 15, 2026 Cannes 2026 Review: There’s Plenty to Rave About in Jordan Firstman’s Spectacular “Club Kid”
May 17, 2026 Cannes 2026 Review: A Quiet Connection Holds Considerable Power in Yukiko Sode’s “All the Lovers in the Night”
May 16, 2026 Cannes 2026 Review: Life as a Twentysomething is an Ongoing Battle in Lila Pinell’s Punchy “Shana”
May 15, 2026 Cannes 2026 Review: Marion Cotillard Plots a Great Escape in Guillaume Canet’s Engrossing Thriller “Karma”
May 15, 2026 Cannes 2026 Review: There’s Plenty to Rave About in Jordan Firstman’s Spectacular “Club Kid”
August 31, 2024 Telluride Film Fest 2024 Review: A Dog to Walk Leads an Author Out of Writer’s Block in Scott McGehee and David Siegel’s “The Friend”
August 30, 2024 Telluride Film Fest 2024 Review: A Childhood Dream Becomes a Nightmare in the Entertaining “Casa Bonita Mi Amor”
September 3, 2021 Telluride 2021 Review: The Life of a Master Chef Becomes a Feast for the Soul in Julie Cohen and Betsy West’s Delicious “Julia”
September 3, 2021 Telluride 2021 Interview: Matt Dillon on Getting Into a Groove with “El Gran Fellove”
September 3, 2021 Telluride 2021 Review: Emelie Mahdavian’s “Bitterbrush” Looks for Home on the Range
