August 20, 2026 Andrius Blaževičius on Reimagining a Conflict Zone in “How to Divorce During the War”
August 20, 2026 Andrius Blaževičius on Reimagining a Conflict Zone in “How to Divorce During the War”
August 17, 2026 Edinburgh Film Fest 2026 Review: “The Arrow at Rest at Every Instant of its Flight” Hits the Mark
August 16, 2026 Edinburgh Film Fest 2026 Review: Olivia Luccardi is the Life of the Party in Frieda Luk’s “Sacred Creatures”
August 16, 2026 Locarno Film Fest 2026 Review: A Family Worries a Foundation of Tradition May Slip Away in Asmahan Bkerat’s “Concrete Land”
August 13, 2026 Locarno Film Fest 2026 Review: An Explosives Expert is Faced with His Life Imploding in Sergio Castro-San Martín’s “Il Cileno”
August 12, 2026 Locarno Film Fest 2026 Review: The Good Lord’s Name is Taken in Vain in Peter Brunner’s Moving “Down the Arm of God”
August 12, 2026 Locarno Film Fest 2026 Review: Vincent Grashaw’s “Bruton” Makes a Great Escape from Prison Narratives
August 9, 2026 Locarno Film Fest 2026 Review: A Skate Videographer Tries to Get Her Life in Line in Erin Vassilopoulos’ Gloriously Gritty “Destroy All Girls”
August 9, 2026 Locarno Film Fest 2026 Review: Mohanad Yaqubi’s “Revolutionaries Never Die” Offers a Transcendent Exchange With the Legendary Lebanese Filmmaker Jocelyne Saab
August 7, 2026 Locarno Film Fest 2026 Review: Love Can Be a Curse in Cristóbal León and Joaquín Cociña’s Spellbinding “Donkey Princess”
August 7, 2026 Locarno Film Fest 2026 Review: Fanny Liatard and Jérémy Trouilh’s “Les Yeux Verts (The Green Eyes)” Offers a Unique Vision on the Plight of Immigrants
July 29, 2026 Review: A City Finds Its Wings in the Frenzy Around Flaco the Owl in Penny Lane’s Wonderful “Wild Inside”
July 28, 2026 Tribeca 2026 Review: Everything Finds Its Time and Place in Shan Jiang’s Enchanting “Ephemera”
