May 13, 2026 Cannes 2026 Review: Léa Drucker Dazzles in Charline Bourgeois-Tacquet’s Dizzying Drama “A Woman’s Life”
May 13, 2026 Cannes 2026 Review: A Mother-Daughter Relationship Comes Full Circle in Diego Luna’s Stirring Drama “Ashes”
May 13, 2026 Cannes 2026 Review: Léa Drucker Dazzles in Charline Bourgeois-Tacquet’s Dizzying Drama “A Woman’s Life”
May 13, 2026 Cannes 2026 Review: A Mother-Daughter Relationship Comes Full Circle in Diego Luna’s Stirring Drama “Ashes”
May 13, 2026 Cannes 2026 Review: Léa Drucker Dazzles in Charline Bourgeois-Tacquet’s Dizzying Drama “A Woman’s Life”
May 13, 2026 Cannes 2026 Review: A Mother-Daughter Relationship Comes Full Circle in Diego Luna’s Stirring Drama “Ashes”
May 4, 2026 First Look 2026 Review: “Humboldt, USA” Finds There’s More to Dig Into From Today’s Perspective in a 19th Century Explorer’s Travels
May 4, 2026 First Look 2026 Review: The Method Could Lead to Madness in Charlie Birns’ Singular “The Whole World is a Lie”
April 27, 2026 First Look 2026 Review: Ashley Connor and Joe Stankus’ “It Goes That Quick” Catches Lightning in a Bottle
April 13, 2026 New Directors/New Films 2026 Review: Jack Auen and Kevin Walker’s Riveting “Chronovisor” Has A Lot Going on Between the Lines
April 13, 2026 New Directors/New Films 2026 Review: Giulio Bertelli’s “Agon” Works Out the Muscles of the Mind
April 12, 2026 L.A. Festival of Movies 2026 Review: Avalon Fast and Jillian Frank Think Big About Small-Town Life in the Stirring “Drinking and Driving”
April 6, 2026 Beyond Fest 2026 Review: Daniel Goldhaber and Isa Mazzei’s “Faces of Death” Unmasks a Uniquely Modern Villain
April 5, 2026 SXSW 2026 Review: “The Last Critic” Starts a Conversation With One of Music’s Fiercest Champions
