CannesReviews·2 min readCannes 2023 Review: Amjad Al Rasheed’s “Inshallah a Boy” Looks Towards the Fairer Sex
CannesReviews·3 min readCannes 2023 Review: Sean Price Williams’ “The Sweet East” Goes In Search of America
ReviewsSeattle Film Festival·3 min readSIFF 2023 Review: “Year of the Fox” Offers a Wily Look at Coming Into One’s Own
Hot DocsReviews·2 min readHot Docs 2023 Review: “Razing Liberty Square” Builds a Strong Case for How Communities Are Destroyed
Hot DocsReviews·3 min readHot Docs 2023 Review: “Who’s Afraid of Nathan Law?” Captures the Evolution of a Political Revolution
ReviewsSXSW·3 min readSXSW 2023 Review: “The Arc of Oblivion” Navigates a Flood of Ideas About Cultural Preservation
ReviewsSXSW·3 min readSXSW 2023 Review: It’s the Journey, Not the Destination in the Fascinating “Last Stop Larrimah”
ReviewsSXSW·2 min readSXSW 2023 Review: A Self-Awareness Grows in Lisa Steen’s Lovely “Late Bloomers”
ReviewsSXSW·3 min readSXSW 2023 Review: Alexandre O. Philippe’s “You Can Call Me Bill” Finds an Actor in the Role of His Life
ReviewsSXSW·2 min readSXSW 2023 Review: A Musician Struggles to Change Her Tune in the Endearing “Cora Bora”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”