To Live and Screen in L.A.

January 13, 2026

Beandrea July, Janet Louie and Maya Montañez Smukler on Paying Tribute to a Local L.A. Theater That Meant the World with “Echoes From Spring Street”

February 14, 2025

The Glorious Resurrection of Charles Burnett’s “The Annihilation of Fish”

July 9, 2024

Caryn Coleman on the Forward Thinking of The Future of Film is Female

November 10, 2023

Cinema City: The Best Places to Enjoy Movies in Los Angeles

August 9, 2023

William Friedkin on the Room to Grow with “Bug” and the Lessons of Johnny Cash

July 14, 2023

Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”

June 19, 2023

Skin in the Game: How “The Last Seduction” Beat the Odds to Become a Classic

December 14, 2022

How Alice Rohrwacher Fashioned a Christmas Tale That Takes the Cake in “Le Pupille”

December 13, 2022

A Cut Above: How Mark Pellington Went a Little Further to Finally Be Satisfied with “Going All the Way”

August 18, 2022

Francine McDougall on Rolling the Dice with “Sugar & Spice”

May 31, 2022

“All My Work is the Desire to Live Fully, To Grab it and to Swallow Life”: Mira Nair on a Career Showing the Unseen

April 11, 2022

Reclaiming Reality: Mario Van Peebles on Reimagining a City and an Industry in “New Jack City”