The Moveable Fest
The Moveable Fest
  • Interviews
    Interviews

    Lola Quivoron on Hanging On to a Feeling in “Rodeo”

    Lise Akoka and Romane Gueret on Bringing the Best Out of “The Worst Ones”

    Amanda Kim on an Artist Who Reframed Everything in “Nam June Paik: Moon is the Oldest TV”

  • Reviews
    Reviews

    SXSW 2023 Review: “The Arc of Oblivion” Navigates a Flood of Ideas About Cultural Preservation

    SXSW 2023 Review: “Queendom” Artfully Takes on a Kingdom in Russia

    SXSW 2023 Review: It’s the Journey, Not the Destination in the Fascinating “Last Stop Larrimah”

  • The Mentaculist
    The Mentaculist
    Matt Damon in "Euro Trip"

    Matt Damon: A Career in Cameos

    Independence Day: My Street

    Five Movie Marketing Miscues That Blew Up in All the Wrong Ways

    Lucas Black and Nathalie Kelley in "Fast & Furious: Tokyo Drift"

    Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
    “Fast & Furious” Franchise

  • Retrospective
    Retrospective

    How Alice Rohrwacher Fashioned a Christmas Tale That Takes the Cake in “Le Pupille”

    A Cut Above: How Mark Pellington Went a Little Further to Finally Be Satisfied with “Going All the Way”

    Francine McDougall on Rolling the Dice with “Sugar & Spice”

  • Trending
    NowWeekMonth

    Lizzie Gottlieb on Making One for the Books in “Turn Every Page: The Adventures of Robert Caro and Robert Gottlieb”

    Natalia Dyer and Peter Vack in "I Believe in Unicorns"

    Interview: Leah Meyerhoff, Natalia Dyer & Peter Vack on “I Believe in Unicorns”

    Ursula Liang on a Straight Shooter Who Took on the World in “Jeanette Lee Vs.”

    Mildred Loving, Peggy Loving and Richard Loving in "The Loving Story"

    Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

    Tallie Medel in "Jules of Light and Dark"

    Austin Film Fest ’18 Review: Personal Truths Shine Through in Daniel Laabs’ Moving “Jules of Light and Dark”

Latest
  • Latest
  • Oldest
  • Random
  • A to Z

To Live and Screen in L.A.

To Live and Screen in L.A.

How Alice Rohrwacher Fashioned a Christmas Tale That Takes the Cake in “Le Pupille”

The director of "Happy as Lazaro" talks about turning a prompt for a Christmas-time short into a gift that keeps giving.
Read Story
To Live and Screen in L.A.

A Cut Above: How Mark Pellington Went a Little Further to Finally Be Satisfied with “Going All the Way”

At a special screening in LA, the director, along with Nick Offerman, spoke about finally completing his directorial debut the way he wanted.
Read Story
To Live and Screen in L.A.

Francine McDougall on Rolling the Dice with “Sugar & Spice”

The director of the 2001 cult comedy reflects on how inspiration and perspiration fueled the story of bank-robbing cheerleaders.
Read Story
To Live and Screen in L.A.

“All My Work is the Desire to Live Fully, To Grab it and to Swallow Life”: Mira Nair on a Career Showing the Unseen

In a conversation with Ava DuVernay, the director recalls her early days mixing narrative & nonfiction techniques and forging a career on her terms.
Read Story
To Live and Screen in L.A.

Reclaiming Reality: Mario Van Peebles on Reimagining a City and an Industry in “New Jack City”

As part of the American Cinematheque's "Perpetratin' Realism" series, the filmmaker spoke about working within the system to make change.
Read Story
To Live and Screen in L.A.

Joachim Trier on “The Worst Person in the World” Epilogue, Freezing Oslo in Time and More with Paul Thomas Anderson

A conversation between Joachim Trier, Renate Reinsve and Paul Thomas Anderson covered the magic that happened in front of the camera in Oslo.
Read Story
To Live and Screen in L.A.

A Resolution Comes True: The Making of “Get Crazy,” the Ultimate New Year’s Movie and Its Wild Restoration

Around this time every few years, Allan Arkush gets a call about putting his 1983 film “Get Crazy” out on...
Read Story
To Live and Screen in L.A.

How Joan Micklin Silver’s “Hester Street” Transcended the Idea of Hollywood Being a One-Horse Town

On the restoration of Joan Micklin Silver's classic of an immigrant adjusting to life in New York and how she got the film business to adapt to her.
Read Story
To Live and Screen in L.A.

“Every Day Was Like, ‘How Do We Pull This Off?'” Martin Brest on “Midnight Run”

A rare public appearance by the director in conversation with Paul Thomas Anderson became a celebration of two creative geniuses on stage.
Read Story
To Live and Screen in L.A.

How to Be a Los Angeles Cinephile in 2020 – Even If You’re From Outside of Town

A guide to keeping yourself entertained this fall while supporting local film culture.
Read Story
To Live and Screen in L.A.

ARRAY is Making It An Extra-Super Tuesday in L.A. with the “For the People” Free Movie Marathon

For this presidential primary, your vote won't only make your voice heard, but get your foot in the door for an a day of truly revolutionary cinema.
Read Story
To Live and Screen in L.A.

A Life in Cinema Carries On with “Varda by Agnès”

A filmmaker who was so inspired by people gives audiences a final gift of cinematic accessibility, not only to see films, but to make them.
Read Story
Load More
  • Contact Us
Copyright 2011 The Moveable Fest

Zeen Trending

Film NewsTo Live and Screen in L.A.

Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

Mildred Loving, Peggy Loving and Richard Loving in "The Loving Story"
Interviews

Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

The Mentaculist

Playing God: 13 Actors Who Dared To Be the Deity in Movies

Start typing to see results or hit ESC to close
The Moveable Fest documentaries interviews Kickstarter reviews
See all results
 

Loading Comments...
 

You must be logged in to post a comment.