DC/DOX 2024 Review: A.J. Schnack’s “Majority Rules” is a Political Doc That Separates Itself From the Pack
Tribeca 2024 Review: It Can Feel Lonely in a Friendship in Joel Potrykus’ Unexpectedly Poignant “Vulcanizadora”
Tribeca 2024 Review: Solving a Case Starts to Look Like a Crime in Nnamdi Asomugha’s Gripping Thriller “The Knife”
To Live and Screen in L.A.·8 min readCaryn Coleman on the Forward Thinking of The Future of Film is Female
To Live and Screen in L.A.·19 min readWilliam Friedkin on the Room to Grow with “Bug” and the Lessons of Johnny Cash
To Live and Screen in L.A.·4 min readComposer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
To Live and Screen in L.A.·11 min readSkin in the Game: How “The Last Seduction” Beat the Odds to Become a Classic
To Live and Screen in L.A.·6 min readHow Alice Rohrwacher Fashioned a Christmas Tale That Takes the Cake in “Le Pupille”
To Live and Screen in L.A.·11 min readA Cut Above: How Mark Pellington Went a Little Further to Finally Be Satisfied with “Going All the Way”
To Live and Screen in L.A.·14 min read“All My Work is the Desire to Live Fully, To Grab it and to Swallow Life”: Mira Nair on a Career Showing the Unseen
To Live and Screen in L.A.·13 min readReclaiming Reality: Mario Van Peebles on Reimagining a City and an Industry in “New Jack City”
To Live and Screen in L.A.·15 min readJoachim Trier on “The Worst Person in the World” Epilogue, Freezing Oslo in Time and More with Paul Thomas Anderson
To Live and Screen in L.A.·9 min readA Resolution Comes True: The Making of “Get Crazy,” the Ultimate New Year’s Movie and Its Wild Restoration
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”