The Moveable Fest
The Moveable Fest
  • Interviews
    Interviews

    Jonas Carpignano on Heading Into Unknown Territory in “A Chiara”

    Kyle Gallner and Emily Skeggs on Serving Up Subversion in “Dinner in America”

    Bonni Jo Hart on Amping Up a Pioneering Band in “Fanny: The Right to Rock”

  • Reviews
    Reviews

    Cannes 2022 Review: The Terror of a Brutal Regime Hits Home in Manuela Martelli’s Engrossing “1976”

    Cannes 2022 Review: An Actor Gets a Part He’d Rather Not Play in the Curious Conspiracy Thriller “The Green Perfume”

    Cannes 2022 Review: Alexandru Belc’s “Metronom” Impressively Measures the Extent of a Heartbreak

  • The Mentaculist
    The Mentaculist
    Matt Damon in "Euro Trip"

    Matt Damon: A Career in Cameos

    Independence Day: My Street

    Five Movie Marketing Miscues That Blew Up in All the Wrong Ways

    Lucas Black and Nathalie Kelley in "Fast & Furious: Tokyo Drift"

    Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
    “Fast & Furious” Franchise

  • Retrospective
    Retrospective

    Reclaiming Reality: Mario Van Peebles on Reimagining a City and an Industry in “New Jack City”

    Joachim Trier on “The Worst Person in the World” Epilogue, Freezing Oslo in Time and More with Paul Thomas Anderson

    A Resolution Comes True: The Making of “Get Crazy,” the Ultimate New Year’s Movie and Its Wild Restoration

  • Trending
    NowWeekMonth

    Kyle Gallner and Emily Skeggs on Serving Up Subversion in “Dinner in America”

    Cannes 2022 Review: “Les Pires” Reconsiders What An Exploitation Film Is

    Cannes 2022 Review: The Terror of a Brutal Regime Hits Home in Manuela Martelli’s Engrossing “1976”

    Cannes 2022 Review: Alexandru Belc’s “Metronom” Impressively Measures the Extent of a Heartbreak

    Jonas Carpignano on Heading Into Unknown Territory in “A Chiara”

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To Live and Screen in L.A.

To Live and Screen in L.A.

Reclaiming Reality: Mario Van Peebles on Reimagining a City and an Industry in “New Jack City”

As part of the American Cinematheque's "Perpetratin' Realism" series, the filmmaker spoke about working within the system to make change.
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To Live and Screen in L.A.

Joachim Trier on “The Worst Person in the World” Epilogue, Freezing Oslo in Time and More with Paul Thomas Anderson

A conversation between Joachim Trier, Renate Reinsve and Paul Thomas Anderson covered the magic that happened in front of the camera in Oslo.
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To Live and Screen in L.A.

A Resolution Comes True: The Making of “Get Crazy,” the Ultimate New Year’s Movie and Its Wild Restoration

Around this time every few years, Allan Arkush gets a call about putting his 1983 film “Get Crazy” out on...
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To Live and Screen in L.A.

How Joan Micklin Silver’s “Hester Street” Transcended the Idea of Hollywood Being a One-Horse Town

On the restoration of Joan Micklin Silver's classic of an immigrant adjusting to life in New York and how she got the film business to adapt to her.
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To Live and Screen in L.A.

“Every Day Was Like, ‘How Do We Pull This Off?'” Martin Brest on “Midnight Run”

A rare public appearance by the director in conversation with Paul Thomas Anderson became a celebration of two creative geniuses on stage.
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To Live and Screen in L.A.

How to Be a Los Angeles Cinephile in 2020 – Even If You’re From Outside of Town

A guide to keeping yourself entertained this fall while supporting local film culture.
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To Live and Screen in L.A.

ARRAY is Making It An Extra-Super Tuesday in L.A. with the “For the People” Free Movie Marathon

For this presidential primary, your vote won't only make your voice heard, but get your foot in the door for an a day of truly revolutionary cinema.
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To Live and Screen in L.A.

A Life in Cinema Carries On with “Varda by Agnès”

A filmmaker who was so inspired by people gives audiences a final gift of cinematic accessibility, not only to see films, but to make them.
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To Live and Screen in L.A.

Swimming Upstream: The Remarkable Revival of Horace B. Jenkins’ “Cane River”

After going undistributed when it was made in 1982, a charming African-American romance gets a new lease on life.
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To Live and Screen in L.A.

Restoring Insanity: How the American Genre Film Archive is Saving the History of Exploitation Cinema

A month-long series in Los Angeles honors the horror and exploitation specialists that have amplified voices outside the mainstream — and given a new lease on life to the films that have all the best death scenes.
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Makiko Esumi in "Maborosi"
To Live and Screen in L.A.

Hirokazu Kore-eda Talks About Life After Death in His Directorial Debut “Maborosi”

The Japanese master reflects on his debut feature, resurfacing after being out of print for years on a special new Blu-ray.
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Adam Yauch in "Awesome! I Fuckin' Shot That"
To Live and Screen in L.A.

Democratizing Cinema: The Filmmaking Legacy of Adam Yauch & Oscilloscope at 10

Friends and collaborators of the late Beastie Boy recalled how the musical genius became an indie film savior and fine filmmaker in his own right.
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Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

Mildred Loving, Peggy Loving and Richard Loving in "The Loving Story"
Interviews

Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

The Mentaculist

Playing God: 13 Actors Who Dared To Be the Deity in Movies

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