As part of the American Cinematheque's "Perpetratin' Realism" series, the filmmaker spoke about working within the system to make change.
A conversation between Joachim Trier, Renate Reinsve and Paul Thomas Anderson covered the magic that happened in front of the camera in Oslo.
Around this time every few years, Allan Arkush gets a call about putting his 1983 film “Get Crazy” out on...
On the restoration of Joan Micklin Silver's classic of an immigrant adjusting to life in New York and how she got the film business to adapt to her.
A rare public appearance by the director in conversation with Paul Thomas Anderson became a celebration of two creative geniuses on stage.
A guide to keeping yourself entertained this fall while supporting local film culture.
For this presidential primary, your vote won't only make your voice heard, but get your foot in the door for an a day of truly revolutionary cinema.
A filmmaker who was so inspired by people gives audiences a final gift of cinematic accessibility, not only to see films, but to make them.
After going undistributed when it was made in 1982, a charming African-American romance gets a new lease on life.
Restoring Insanity: How the American Genre Film Archive is Saving the History of Exploitation Cinema
A month-long series in Los Angeles honors the horror and exploitation specialists that have amplified voices outside the mainstream — and given a new lease on life to the films that have all the best death scenes.
The Japanese master reflects on his debut feature, resurfacing after being out of print for years on a special new Blu-ray.
Friends and collaborators of the late Beastie Boy recalled how the musical genius became an indie film savior and fine filmmaker in his own right.
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