July 6, 2026 Michèle Stephenson on Drawing on the Energy of a Movement in “True North: Canadian Myths and Black Power”
July 1, 2026 Tribeca 2026 Interview: Eddie Sánchez on Bringing Together a Unique Family Portrait “MexicanAmerican”
June 30, 2026 Tribeca 2026 Interview: Gabriella Diaz Arp on Going Back to the Motherland in “Matininó”
July 6, 2026 Michèle Stephenson on Drawing on the Energy of a Movement in “True North: Canadian Myths and Black Power”
July 1, 2026 Tribeca 2026 Interview: Eddie Sánchez on Bringing Together a Unique Family Portrait “MexicanAmerican”
June 30, 2026 Tribeca 2026 Interview: Gabriella Diaz Arp on Going Back to the Motherland in “Matininó”
February 21, 2022 Joachim Trier on “The Worst Person in the World” Epilogue, Freezing Oslo in Time and More with Paul Thomas Anderson
December 28, 2021 A Resolution Comes True: The Making of “Get Crazy,” the Ultimate New Year’s Movie and Its Wild Restoration
October 4, 2021 How Joan Micklin Silver’s “Hester Street” Transcended the Idea of Hollywood Being a One-Horse Town
February 27, 2020 ARRAY is Making It An Extra-Super Tuesday in L.A. with the “For the People” Free Movie Marathon
July 11, 2019 Restoring Insanity: How the American Genre Film Archive is Saving the History of Exploitation Cinema
January 31, 2018 Interview: KJ Relth on Creating a Real Power Point with “Working Girls: America’s Career Women on Screen”
