SXSW 2024 Review: Shaun Seneviratne’s “Ben and Suzanne: A Reunion in 4 Parts” is a Sensational Throwback to the Heyday of Indie Rom Coms
SXSW 2024 Review: A Trio Banks on Revenge As the Only Institution They Can Trust in Cutter Hodierne’s “Cold Wallet”
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
ReviewsTIFF·3 min readTIFF 2023 Review: A Once Tight-Knit Commune Picks Up Loose Threads in Lukas Moodysson’s “Together 99”
InterviewsTIFF·7 min readTIFF 2023 Interview: Kei Chika-ura and Mirai Moriyama on Minding the Gaps of “Great Absence”
ReviewsTIFF·3 min readTIFF 2023 Review: Ava DuVernay’s “Origin” Powerfully Recasts a Conversation About Inequality
ReviewsTIFF·2 min readTIFF 2023 Review: Michael Winterbottom’s “Shoshana” Finds a Conflict of Interest to Deliver Suspense
ReviewsTIFF·2 min readTIFF 2023 Review: “Wicked Little Letters” Finds a War of Words Leads to a Winning Comedy
ReviewsTIFF·3 min readTIFF 2023 Review: A Young Woman Looks Towards the Bigger Picture in Lone Scherfig’s Enchanting “The Movie Teller”
InterviewsTIFF·7 min readTIFF 2023 Interview: Edoardo Gabbriellini on a Loss of Innocence in “Holiday”
InterviewsTIFF·7 min readTIFF 2023 Interview: Paula Hernández on Stirring up a Storm of Emotions in “A Ravaging Wind”
ReviewsTIFF·2 min readTIFF 2023 Review: A Simple Bond Grows From a Complex Set of Circumstances in Michel Franco’s Affecting “Memory”
InterviewsTIFF·5 min readTIFF 2023 Interview: Axel Petersén and Joel Spira on Making a Different Kind of Getaway in “Shame on Dry Land”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”