September 13, 2026 TIFF 2026 Review: Maiken Baird’s “Edward Said: Between Worlds” is a Fitting Tribute to a Scholar Eternally Out of Place
September 12, 2026 TIFF 2026 Interview: John Trengrove on Forming a Perspective in the Sensational “The Taste of Apples”
September 12, 2026 TIFF 2026 Review: An Individual Betrayal Touches Everyone in Benjamin Naishtat’s Compelling “Glaxo”
September 12, 2026 TIFF 2026 Review: Friends Search for Higher Ground in Irene Dionosio’s Volcanic “Idda”
September 13, 2026 TIFF 2026 Review: Maiken Baird’s “Edward Said: Between Worlds” is a Fitting Tribute to a Scholar Eternally Out of Place
September 12, 2026 TIFF 2026 Interview: John Trengrove on Forming a Perspective in the Sensational “The Taste of Apples”
September 12, 2026 TIFF 2026 Review: An Individual Betrayal Touches Everyone in Benjamin Naishtat’s Compelling “Glaxo”
September 12, 2026 TIFF 2026 Review: Friends Search for Higher Ground in Irene Dionosio’s Volcanic “Idda”
November 15, 2016 Making “Mavis!”: A Joyful Evening With Jessica Edwards and Mavis Staples on Their Delightful Doc
July 8, 2016 When Pharmaceutical Companies Own the Rights to Your Favorite Film & Other Job Hazards: LA Film Programmers Tell All
July 8, 2016 Summer in the City: USC’s Alessandro Ago on Complementing a Moviemaking Education with One in Moviegoing
November 27, 2015 Worth Staying Up For: Phil Blankenship on Heavy Midnites, L.A.’s Wildest Movie Night
