The Moveable Fest
The Moveable Fest
  • Interviews
    Interviews

    Jonas Carpignano on Heading Into Unknown Territory in “A Chiara”

    Kyle Gallner and Emily Skeggs on Serving Up Subversion in “Dinner in America”

    Bonni Jo Hart on Amping Up a Pioneering Band in “Fanny: The Right to Rock”

  • Reviews
    Reviews

    Cannes 2022 Review: A Girl Discovers It’s a Dog Eat Dog World in Jasmine Trinca’s “Marcel!”

    Cannes 2022 Review: The Terror of a Brutal Regime Hits Home in Manuela Martelli’s Engrossing “1976”

    Cannes 2022 Review: An Actor Gets a Part He’d Rather Not Play in the Curious Conspiracy Thriller “The Green Perfume”

  • The Mentaculist
    The Mentaculist
    Matt Damon in "Euro Trip"

    Matt Damon: A Career in Cameos

    Independence Day: My Street

    Five Movie Marketing Miscues That Blew Up in All the Wrong Ways

    Lucas Black and Nathalie Kelley in "Fast & Furious: Tokyo Drift"

    Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
    “Fast & Furious” Franchise

  • Retrospective
    Retrospective

    Reclaiming Reality: Mario Van Peebles on Reimagining a City and an Industry in “New Jack City”

    Joachim Trier on “The Worst Person in the World” Epilogue, Freezing Oslo in Time and More with Paul Thomas Anderson

    A Resolution Comes True: The Making of “Get Crazy,” the Ultimate New Year’s Movie and Its Wild Restoration

  • Trending
    NowWeekMonth

    Cannes 2022 Review: “Les Pires” Reconsiders What An Exploitation Film Is

    Cannes 2022 Review: Alexandru Belc’s “Metronom” Impressively Measures the Extent of a Heartbreak

    Kyle Gallner and Emily Skeggs on Serving Up Subversion in “Dinner in America”

    “Every Day Was Like, ‘How Do We Pull This Off?'” Martin Brest on “Midnight Run”

    Cannes 2022 Review: The Terror of a Brutal Regime Hits Home in Manuela Martelli’s Engrossing “1976”

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SXSW 2012

ReviewsSXSW 2012

SXSW ’13 Review: Jeanie Finlay Gets to the Bottom of “The Great Hip Hop Hoax”

A pair of Scottish rappers who rose to fame claiming they were Eminem clones from California talks discuss their deception in detail in the fun and surprisingly provocative new film from the director of "Sound It Out."
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ReviewsSXSW 2012

SXSW ’13 Review: Michelle Monaghan & Radha Mitchell Birth a Beautiful Friendship in “Gus”

Slightly uneven in tone, Jessie McCormack's directorial debut finds its rhythm in its fine observations of a woman unable to conceive and the friend who unexpectedly can help her have a child.
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InterviewsSXSW 2012

SXSW ’13 Interview: Josh Izenberg on Skating with “Slomo,” an Inspiring Doc on a Neurologist Turned Spiritualist

The filmmaker behind this year's Best Documentary Short talks about how his dad led him to find the incredible subject of his new film, a former doctor with a high-flying lifestyle that gave it all up to fly high on skates on the beach boardwalks of San Diego.
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ReviewsSXSW 2012

SXSW ’13 Review: Desensationalizing History in the Otherwise Sensational “Our Nixon”

An unprecedented look at the private home movies filmed by Richard Nixon's inner circle offers a revealing peek behind the White House curtain.
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ReviewsSXSW 2012

SXSW ’13 Review: Vincent Grashaw’s Muscular Escape Thriller “Coldwater” Runs Hot

Following in the footsteps of his work on "Bellflower," the editor-turned-director makes an equally headturning debut with a look at the bonds formed and broken between young men at privately run juvenile detention facilities.
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ReviewsSXSW 2012

SXSW ’13 Review: When the Going Gets Tough, the Tough Gets Going in “The Other Shore”

First-time feature director Timothy Wheeler has his work cut out for him in getting past a polished central subject for this inspirational doc about marathon swimmer Diana Nyad, but once he does, the film goes the distance.
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Jamie Chung as Chong Kim in a scene from Megan Griffiths' film Eden.
InterviewsSXSW 2012

Interview: Megan Griffiths on Uncovering “Eden,” Bringing to Light Sex Trafficking in the U.S.

After winning awards at SXSW and the Seattle Film Fest last year, this harrowing drama is finally hitting theaters and its director talks about her own discovery of this amazing true story.
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Dayna Hanson's film Improvement Club
InterviewsSXSW 2012

SXSW ’13 Interview: Dayna Hanson on Dancing Towards Her First Feature “Improvement Club”

The Seattle-based choreographer-turned-filmmaker tells us what's fact and fiction in the comedy based loosely on the experience of a dance troupe in search of an audience.
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Lola Bessis and Dustin Guy Defa in Ruben Amar's film Swim Little Fish Swim
ReviewsSXSW 2012

SXSW ’13 Review: “Swim Little Fish Swim” Provides a Pleasant Distraction

The demands of a dull domestic life get in the way of a rich and fulfilling artistic one in this light, finely observed comedy.
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Divine in Jeffrey Schwarz's movie I Am Divine
InterviewsSXSW 2012

SXSW ’13 Interview: Jeffrey Schwarz on the Divinely Entertaining Biopic “I Am Divine”

The director of a new documentarian on the life of famed drag queen and longtime collaborator of John Waters talks about the incredible access he received, why Waters always tells drag queens to call their mothers and how he learned of Divine's voracious sexual appetite.
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Sky Sudberry in a scene from Josh Greenbaum's golf movie The Short Game
ReviewsSXSW 2012

SXSW ’13 Review: “The Short Game” Nails the Big Swings With A Look at Junior Golf

Winning the Audience Award for Documentary at SXSW only hints at the crowdpleaser in store for those who see Josh Greenbaum's debut doc about the high-stakes world of the golf circuit for 7 and 8-year-olds.
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InterviewsSXSW 2012

Anna Kendrick & Ron Livingston on Joe Swanberg’s Intoxicating “Drinking Buddies”

With just a story outline and a director, the stars of "Pitch Perfect" and "Office Space" talk about taking a leap of faith to make this beautifully improvised comedy about co-workers who flirt with taking their relationship beyond the office to the chagrin of their respective partners.
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Interviews

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The Mentaculist

Playing God: 13 Actors Who Dared To Be the Deity in Movies

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