The Moveable Fest
The Moveable Fest
  • Interviews
    Interviews

    Lola Quivoron on Hanging On to a Feeling in “Rodeo”

    Lise Akoka and Romane Gueret on Bringing the Best Out of “The Worst Ones”

    Amanda Kim on an Artist Who Reframed Everything in “Nam June Paik: Moon is the Oldest TV”

  • Reviews
    Reviews

    SXSW 2023 Review: “The Arc of Oblivion” Navigates a Flood of Ideas About Cultural Preservation

    SXSW 2023 Review: “Queendom” Artfully Takes on a Kingdom in Russia

    SXSW 2023 Review: It’s the Journey, Not the Destination in the Fascinating “Last Stop Larrimah”

  • The Mentaculist
    The Mentaculist
    Matt Damon in "Euro Trip"

    Matt Damon: A Career in Cameos

    Independence Day: My Street

    Five Movie Marketing Miscues That Blew Up in All the Wrong Ways

    Lucas Black and Nathalie Kelley in "Fast & Furious: Tokyo Drift"

    Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
    “Fast & Furious” Franchise

  • Retrospective
    Retrospective

    How Alice Rohrwacher Fashioned a Christmas Tale That Takes the Cake in “Le Pupille”

    A Cut Above: How Mark Pellington Went a Little Further to Finally Be Satisfied with “Going All the Way”

    Francine McDougall on Rolling the Dice with “Sugar & Spice”

  • Trending
    NowWeekMonth

    Lizzie Gottlieb on Making One for the Books in “Turn Every Page: The Adventures of Robert Caro and Robert Gottlieb”

    Natalia Dyer and Peter Vack in "I Believe in Unicorns"

    Interview: Leah Meyerhoff, Natalia Dyer & Peter Vack on “I Believe in Unicorns”

    Ursula Liang on a Straight Shooter Who Took on the World in “Jeanette Lee Vs.”

    Mildred Loving, Peggy Loving and Richard Loving in "The Loving Story"

    Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

    Tallie Medel in "Jules of Light and Dark"

    Austin Film Fest ’18 Review: Personal Truths Shine Through in Daniel Laabs’ Moving “Jules of Light and Dark”

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reviews

Reviews

Our Favorites ’11: Lucas Belvaux’s Kidnapping Thriller “Rapt”

Simply putting this meticulous mystery with an unusual third act twist seemed like doing it a disservice, but our original review explains why it's well worth catching now it's on DVD and Netflix Watch Instantly.
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ReviewsToronto Film Festival 2011

Review: Surveying the Wreckage of a Personal Apocalypse in Lars von Trier’s “Melancholia”

An avowed Lars von Trier hater comes to terms with the masterwork that's his latest as the director comes to terms with the end of the world.
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Vikram Gandhi as the prophet Kumare in the film Kumare
Reviews

Review: A Search for Divine Truth Under False Pretenses in the Spiritual Sendup “Kumare”

After his own spiritual journey left him a disbeliever, a filmmaker's quest to prove religion is an illusion needs to be seen to be believed.
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FestivalsReviewsToronto Film Festival 2011

TIFF ’11 Review: The Flameout of Mary Harron’s “The Moth Diaries”

A crushing disappointment from the director of "American Psycho" may just be the best worst film to come down the pike in a long time.
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AFI Fest 2011Reviews

AFI Fest ’11 Review: Carano Doesn’t Let Things Go “Haywire” in Taut Soderbergh Thriller

The director may not need to make that "Man From U.N.C.L.E." film after conquering the spy genre already with this entertaining action flick built around the female MMA star.
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Reviews

Review: Characters Can’t Break Free in Cameron Crowe’s Disappointing “We Bought A Zoo”

A soaring score from Sigur Ros lead singer Jonsi papers over a contrived heartwarmer from the writer/director of "Jerry Maguire."
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Reviews

Review: Gerwig and Baumbach Get the Last Laugh With ‘Frances Ha’

The director of "Kicking & Screaming" finally matures as a storyteller with a frenzied young woman as his muse.
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FestivalsNew York Film Festival 2011Reviews

NYFF ’11 Review: Asghar Farhadi Pulls It All Together for “A Separation”

The escalating tensions between two families that are on the verge of internal combustion provide the drama in this masterful drama from Iranian helmer Asghar Farhadi.
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Reviews

Review: The Horror of an Estate Tax Too High in Troy Nixey’s “Don’t Be Afraid of the Dark”

Far from the real world, the scares in the directorial debut from a Guillermo Del Toro protege are underscored by the cold reality of modern priorities and carried out by dental-dining terrors.
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Reviews

Review: A View to Many Kills Through the Guillermo Del Toro-Produced “Julia’s Eyes”

While one Guillermo Del Toro-produced thriller asks audiences this week to not be afraid of the dark, another, which was a favorite on the festival circuit, is a frightening proposition for all the senses.
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Reviews

Review: Finding the Humor in the Tears of a Clown in Álex de la Iglesia’s “The Last Circus”

The latest from the Spanish auteur behind genre mashups such as "800 Bullets" and "El Crimen Ferpecto" finds a home under the big top with this insane and insanely funny dark comedy about dueling clowns.
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Reviews

Review: Rooney Mara, Brie Larson Have a Lesson Plan of Their Own in “Tanner Hall”

The burgeoning stars lead a quartet of boarding school girls in this coming-of-age story that proves to be a tough education both onscreen and off.
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Copyright 2011 The Moveable Fest

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Film NewsTo Live and Screen in L.A.

Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

Mildred Loving, Peggy Loving and Richard Loving in "The Loving Story"
Interviews

Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

The Mentaculist

Playing God: 13 Actors Who Dared To Be the Deity in Movies

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