January 24, 2025 Sundance 2025 Review: “2000 Meters to Andriivka” Powerfully Considers the Immeasurable Costs of War
January 24, 2025 Sundance 2025 Interview: Aurora Brachman and LaTajh Simmons-Weaver on Closing a Perception Gap with “Hold Me Close”
January 23, 2025 Sundance 2025 Interview: Megan Griffiths and Mindie Lind on Having Their Talent Shine Through in “View from the Floor”
January 23, 2025 Sundance 2025 Interview: Gianluca Matarrese on the Refreshingly Careful Analysis of “Gen_”
January 24, 2025 Sundance 2025 Review: “2000 Meters to Andriivka” Powerfully Considers the Immeasurable Costs of War
January 24, 2025 Sundance 2025 Interview: Aurora Brachman and LaTajh Simmons-Weaver on Closing a Perception Gap with “Hold Me Close”
January 23, 2025 Sundance 2025 Interview: Megan Griffiths and Mindie Lind on Having Their Talent Shine Through in “View from the Floor”
January 23, 2025 Sundance 2025 Interview: Gianluca Matarrese on the Refreshingly Careful Analysis of “Gen_”
August 4, 2024 Fantasia Fest 2024 Review: Chris Stuckmann’s “Shelby Oaks” Reveals the Real Dangers of Chasing Ghosts
August 14, 2023 Fantasia Fest 2023 Interview: Frank Mosley and Hugo de Sousa on Fragile Objects in “Good Condition”
August 9, 2023 Fantasia Fest 2023 Review: A Chase Takes a Different Direction in John Rosman’s Inventive “New Life”
July 31, 2023 Fantasia Fest 2023 Review: An Itch Can’t Be Scratched in Mary Dauterman’s Still Satisfying “Booger”
July 24, 2023 Fantasia Fest 2023 Interview: Teresa Sutherland on Going Further with “Lovely, Dark, and Deep”
July 23, 2023 Fantasia Fest 2023 Review: Love is Its Own Form of Alienation in Zach Clark’s “The Becomers”
August 29, 2020 Fantasia Fest 2020 Review: A Family Can’t Hold Terror at Bay in the McManus Brothers’ “The Block Island Sound”
August 26, 2020 Fantasia Fest 2020 Review: Menopause Leads to a Turn for the Better in Daria Woszek’s Frisky “Marygoaround”
August 25, 2020 Fantasia Fest 2020 Interview: Josie Hess and Isabel Peppard on Capturing a Late Bloomer Flourish in “Morgana”
