October 30, 2025 Lynsey Addario and Chai Vasarhelyi on Bringing Light to Conflicts at Home and Abroad in “Love + War”
October 30, 2025 Bonni Cohen, Pedro Kos and Jon Shenk on a Moment of Hope for Environmental Movement in “The White House Effect”
October 30, 2025 Maïlys Vallade and Liane-Cho Han on Finding God in the Details of “Little Amélie or the Character of Rain”
October 30, 2025 Lynsey Addario and Chai Vasarhelyi on Bringing Light to Conflicts at Home and Abroad in “Love + War”
October 30, 2025 Bonni Cohen, Pedro Kos and Jon Shenk on a Moment of Hope for Environmental Movement in “The White House Effect”
October 30, 2025 Maïlys Vallade and Liane-Cho Han on Finding God in the Details of “Little Amélie or the Character of Rain”
July 26, 2025 Fantasia Fest 2025 Review: Alex Phillips’ “Anything That Moves” Envisions a Loss of Innocence From Another Perspective
July 22, 2025 Fantasia Fest 2025 Interview: Lucy Fry and Julie Pacino on Going to Uncomfortable Places in “I Live Here Now”
August 4, 2024 Fantasia Fest 2024 Review: Chris Stuckmann’s “Shelby Oaks” Reveals the Real Dangers of Chasing Ghosts
August 14, 2023 Fantasia Fest 2023 Interview: Frank Mosley and Hugo de Sousa on Fragile Objects in “Good Condition”
August 9, 2023 Fantasia Fest 2023 Review: A Chase Takes a Different Direction in John Rosman’s Inventive “New Life”
July 31, 2023 Fantasia Fest 2023 Review: An Itch Can’t Be Scratched in Mary Dauterman’s Still Satisfying “Booger”
July 24, 2023 Fantasia Fest 2023 Interview: Teresa Sutherland on Going Further with “Lovely, Dark, and Deep”
July 23, 2023 Fantasia Fest 2023 Review: Love is Its Own Form of Alienation in Zach Clark’s “The Becomers”
August 29, 2020 Fantasia Fest 2020 Review: A Family Can’t Hold Terror at Bay in the McManus Brothers’ “The Block Island Sound”
