The Moveable Fest
The Moveable Fest
  • Interviews
    Interviews

    SXSW 2023 Interview: Miranda Yousef on Capturing All the Different Shades of Thomas Kinkade in “Art for Everybody”

    SXSW 2023 Interview: Scott Lazer on Making Quite the Catch in “Ball People”

    SXSW 2023 Interview: Tomas Gomez Bustillo on the Divine Comedy of “Chronicles of a Wandering Saint”

  • Reviews
    Reviews

    SXSW 2023 Review: “The Arc of Oblivion” Navigates a Flood of Ideas About Cultural Preservation

    SXSW 2023 Review: “Queendom” Artfully Takes on a Kingdom in Russia

    SXSW 2023 Review: It’s the Journey, Not the Destination in the Fascinating “Last Stop Larrimah”

  • The Mentaculist
    The Mentaculist
    Matt Damon in "Euro Trip"

    Matt Damon: A Career in Cameos

    Independence Day: My Street

    Five Movie Marketing Miscues That Blew Up in All the Wrong Ways

    Lucas Black and Nathalie Kelley in "Fast & Furious: Tokyo Drift"

    Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
    “Fast & Furious” Franchise

  • Retrospective
    Retrospective

    How Alice Rohrwacher Fashioned a Christmas Tale That Takes the Cake in “Le Pupille”

    A Cut Above: How Mark Pellington Went a Little Further to Finally Be Satisfied with “Going All the Way”

    Francine McDougall on Rolling the Dice with “Sugar & Spice”

  • Trending
    NowWeekMonth

    Lizzie Gottlieb on Making One for the Books in “Turn Every Page: The Adventures of Robert Caro and Robert Gottlieb”

    Natalia Dyer and Peter Vack in "I Believe in Unicorns"

    Interview: Leah Meyerhoff, Natalia Dyer & Peter Vack on “I Believe in Unicorns”

    Ursula Liang on a Straight Shooter Who Took on the World in “Jeanette Lee Vs.”

    Mildred Loving, Peggy Loving and Richard Loving in "The Loving Story"

    Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

    Tallie Medel in "Jules of Light and Dark"

    Austin Film Fest ’18 Review: Personal Truths Shine Through in Daniel Laabs’ Moving “Jules of Light and Dark”

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reviews

Vikram Gandhi as the prophet Kumare in the film Kumare
Reviews

Review: A Search for Divine Truth Under False Pretenses in the Spiritual Sendup “Kumare”

After his own spiritual journey left him a disbeliever, a filmmaker's quest to prove religion is an illusion needs to be seen to be believed.
Read Story
David Nordstrom and Megan Boone in a scene from Adele Romanski's film "Leave Me Like You Found Me"
ReviewsSXSW 2012

Review: Adele Romanski’s Deeply Romantic “Leave Me Like You Found Me” is More Than a Walk in the Park

The directorial debut of the producer behind indie favorites "The Myth of the American Sleepover" and "The Freebie" proves to be every bit as accomplished in following a couple who have a harder time navigating their relationship than the wilderness.
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Reviews

Review: Angelina Jolie Erases Distinctions With “In the Land of Blood and Honey”

For her feature directorial debut, the actress known for "Wanted" and "Mr. and Mrs. Smith" takes action in bringing attention to the Bosnian War of the 1990s with a romance as rocky as the way its depicted.
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Reviews

Review: When Silence Was Golden in Michel Hazanivicius’ “The Artist”

Light on its feet, this romantic homage to the silent film era is eager to please and please it does.
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Takashi Miike's Hara-Kiri: Death of a Samurai
Reviews

Review: Takashi Miike Finds a Little More Depth in the 3D “Hara-Kiri: Death of a Samurai”

A remake of Masaki Kobayashi's 1962 classic samurai film, the always provocative filmmaker poignantly brings the story of an impoverished ronin looking to support his family into a new era with an added dimension.
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Reviews

Review: Carnahan Abandons Cool for the Cold in the Chilling Survival Tale “The Grey”

If you don't go expecting bareknuckled brawls with wolves, the writer/director of "Narc" has expertly devised an entertaining and occasionally moving tale of men on a march to nowhere in this deliberately-paced thriller.
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Reviews

Review: Yeoh Shines in Luc Besson’s Living History “The Lady”

Though it takes plenty of liberties, the action sensibilities of "The Fifth Element" director are an interesting fit for the life story of Burmese pacifist Aung San Suu Kyi.
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AFI Fest 2011Reviews

AFI Fest ’11 Review: Marston Transcends Borders With “The Forgiveness of Blood”

The director of "Maria Full of Grace" returns after seven years to helm this tense drama about a teen whose future is thrown into question when a generations-long blood feud in Albania is renewed.
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Sebastian Banes and Patrick Wang in "In the Family"
Reviews

Review: The Intimate Drama & Big Ambition
of Patrick Wang’s “In the Family”

The stirring story of a custody case emerging from a widow hoping to keep his son when his partner dies.
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Reviews

Our Favorites ’11: Lucas Belvaux’s Kidnapping Thriller “Rapt”

Simply putting this meticulous mystery with an unusual third act twist seemed like doing it a disservice, but our original review explains why it's well worth catching now it's on DVD and Netflix Watch Instantly.
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Reviews

Review: Characters Can’t Break Free in Cameron Crowe’s Disappointing “We Bought A Zoo”

A soaring score from Sigur Ros lead singer Jonsi papers over a contrived heartwarmer from the writer/director of "Jerry Maguire."
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AFI Fest 2011Reviews

AFI Fest ’11 Review: The Tantalizing “Jiro Dreams of Sushi”

A documentary about the lifelong dedication of a Japanese master chef to his craft is nearly as expert in creating a film celebrating his legacy and asking which of his two sons will continue it.
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Copyright 2011 The Moveable Fest

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Film NewsTo Live and Screen in L.A.

Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

Mildred Loving, Peggy Loving and Richard Loving in "The Loving Story"
Interviews

Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

The Mentaculist

Playing God: 13 Actors Who Dared To Be the Deity in Movies

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