The Moveable Fest
The Moveable Fest
  • Interviews
    Interviews

    SXSW 2023 Interview: Miranda Yousef on Capturing All the Different Shades of Thomas Kinkade in “Art for Everybody”

    SXSW 2023 Interview: Scott Lazer on Making Quite the Catch in “Ball People”

    SXSW 2023 Interview: Tomas Gomez Bustillo on the Divine Comedy of “Chronicles of a Wandering Saint”

  • Reviews
    Reviews

    SXSW 2023 Review: “The Arc of Oblivion” Navigates a Flood of Ideas About Cultural Preservation

    SXSW 2023 Review: “Queendom” Artfully Takes on a Kingdom in Russia

    SXSW 2023 Review: It’s the Journey, Not the Destination in the Fascinating “Last Stop Larrimah”

  • The Mentaculist
    The Mentaculist
    Matt Damon in "Euro Trip"

    Matt Damon: A Career in Cameos

    Independence Day: My Street

    Five Movie Marketing Miscues That Blew Up in All the Wrong Ways

    Lucas Black and Nathalie Kelley in "Fast & Furious: Tokyo Drift"

    Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
    “Fast & Furious” Franchise

  • Retrospective
    Retrospective

    How Alice Rohrwacher Fashioned a Christmas Tale That Takes the Cake in “Le Pupille”

    A Cut Above: How Mark Pellington Went a Little Further to Finally Be Satisfied with “Going All the Way”

    Francine McDougall on Rolling the Dice with “Sugar & Spice”

  • Trending
    NowWeekMonth

    Lizzie Gottlieb on Making One for the Books in “Turn Every Page: The Adventures of Robert Caro and Robert Gottlieb”

    Natalia Dyer and Peter Vack in "I Believe in Unicorns"

    Interview: Leah Meyerhoff, Natalia Dyer & Peter Vack on “I Believe in Unicorns”

    Ursula Liang on a Straight Shooter Who Took on the World in “Jeanette Lee Vs.”

    Mildred Loving, Peggy Loving and Richard Loving in "The Loving Story"

    Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

    Tallie Medel in "Jules of Light and Dark"

    Austin Film Fest ’18 Review: Personal Truths Shine Through in Daniel Laabs’ Moving “Jules of Light and Dark”

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reviews

Reviews

Review: Dominic Cooper Uses Both Barrels in “The Devil’s Double”

After threatening to break out as a big star for years, Dominic Cooper finds the role to do it with as a body double who must break free from his liege, Uday Hussein. Did we mention he plays both roles?
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ReviewsToronto Film Festival 2011

Review: Surveying the Wreckage of a Personal Apocalypse in Lars von Trier’s “Melancholia”

An avowed Lars von Trier hater comes to terms with the masterwork that's his latest as the director comes to terms with the end of the world.
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Reviews

Review: Vincent Gallo and Jerzy Skolimoski Come Out From the Cold with “Essential Killing”

Two of cinema's great enigmas in recent years join forces for an expectedly strange but effective thriller about an alleged terrorist's story of survival following his escape from an America prison camp.
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FestivalsReviewsSXSW 2012Toronto Film Festival 2011

TIFF ’11 Review: The Thrilling Full-On Assault of Gareth Evans’ “The Raid”

An Indonesian thriller that proves the culture likes their action as spicy as their cuisine, the TIFF Midnight Madness flick is a stunner.
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Reviews

Review: Joe Swanberg & Adam Wingard Take a Different Approach to Fleshing Out Their Ideas in “Autoerotic”

The title of his latest film may be the most sexually provocative yet, but it's a sense of restraint that benefits Joe Swanberg's latest (with co-director Adam Wingard) most.
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Reviews

Review: The Horror of an Estate Tax Too High in Troy Nixey’s “Don’t Be Afraid of the Dark”

Far from the real world, the scares in the directorial debut from a Guillermo Del Toro protege are underscored by the cold reality of modern priorities and carried out by dental-dining terrors.
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Reviews

Review: Edgerton and Hardy Beat the Odds and Each Other in “Warrior”

Mixed martial arts and two fresh-faced stars put a new spin on the classic underdog tale to thrilling effect.
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ReviewsToronto Film Festival 2011

TIFF ’11 Review: Beating the Odds With the Triumphant “50/50”

The only thing sad about this funny and touching dramedy starring Joseph Gordon-Levitt as a 27-year-old struggling with his cancer prognosis is that it has to end.
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Reviews

Review: Finding the Humor in the Tears of a Clown in Álex de la Iglesia’s “The Last Circus”

The latest from the Spanish auteur behind genre mashups such as "800 Bullets" and "El Crimen Ferpecto" finds a home under the big top with this insane and insanely funny dark comedy about dueling clowns.
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Reviews

Review: A View to Many Kills Through the Guillermo Del Toro-Produced “Julia’s Eyes”

While one Guillermo Del Toro-produced thriller asks audiences this week to not be afraid of the dark, another, which was a favorite on the festival circuit, is a frightening proposition for all the senses.
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Reviews

Review: Rooney Mara, Brie Larson Have a Lesson Plan of Their Own in “Tanner Hall”

The burgeoning stars lead a quartet of boarding school girls in this coming-of-age story that proves to be a tough education both onscreen and off.
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FestivalsReviewsToronto Film Festival 2011Tribeca Film Festival

TIFF ’11 Review: Marjane Satrapi and Vincent Paronnaud’s Somber But Sweet “Chicken With Plums”

A slighter story than their first film but nonetheless delightful, the second film from the "Persepolis" writer/directors finds a vivid story in the waining days of a suicidal violinist.
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Copyright 2011 The Moveable Fest

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Film NewsTo Live and Screen in L.A.

Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

Mildred Loving, Peggy Loving and Richard Loving in "The Loving Story"
Interviews

Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

The Mentaculist

Playing God: 13 Actors Who Dared To Be the Deity in Movies

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