Josh Lambert, Yvonne Lambert and Toto Miranda of The Octopus Project on Bringing Out the Beauty of Bigfoot in “Sasquatch Sunset”
Review: Tragedy Brings Together People of Different Walks of Life in Hilla Medalia’s “Mourning in Lod”
SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
Reviews·2 min readReview: Finding the Humor in the Tears of a Clown in Álex de la Iglesia’s “The Last Circus”
Reviews·3 min readReview: The Horror of an Estate Tax Too High in Troy Nixey’s “Don’t Be Afraid of the Dark”
Reviews·2 min readReview: Vincent Gallo and Jerzy Skolimoski Come Out From the Cold with “Essential Killing”
ReviewsToronto Film Festival 2011·3 min readTIFF ’11 Review: Beating the Odds With the Triumphant “50/50”
Reviews·2 min readReview: Joe Swanberg & Adam Wingard Take a Different Approach to Fleshing Out Their Ideas in “Autoerotic”
ReviewsToronto Film Festival 2011·6 min readReview: Surveying the Wreckage of a Personal Apocalypse in Lars von Trier’s “Melancholia”
Reviews·3 min readReview: A View to Many Kills Through the Guillermo Del Toro-Produced “Julia’s Eyes”
FestivalsReviewsSXSW 2012Toronto Film Festival 2011·3 min readTIFF ’11 Review: The Thrilling Full-On Assault of Gareth Evans’ “The Raid”
FestivalsReviewsToronto Film Festival 2011Tribeca Film Festival·3 min readTIFF ’11 Review: Marjane Satrapi and Vincent Paronnaud’s Somber But Sweet “Chicken With Plums”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”