February 23, 2026 Berlinale 2026 Review: Alisa Kovalenko & Marysia Nikitiuk’s “Traces” Leaves a Strong Impression of an Underexamined Aspect of War
February 22, 2026 Slamdance 2026 Review: A Community Tries to Stay on Track in the Wake of a Train Derailment in Ori Segev and Noah Dixon’s Striking Portrait “The Bulldogs”
February 23, 2026 Berlinale 2026 Review: Alisa Kovalenko & Marysia Nikitiuk’s “Traces” Leaves a Strong Impression of an Underexamined Aspect of War
February 22, 2026 Slamdance 2026 Review: A Community Tries to Stay on Track in the Wake of a Train Derailment in Ori Segev and Noah Dixon’s Striking Portrait “The Bulldogs”
January 22, 2023 Sundance 2023 Review: “Going to Mars: The Nikki Giovanni Project” Has a Way With Words
June 19, 2020 Interview: Sam Feder on How a History of Transgender Representation on Screen Can Change the Future in “Disclosure”
November 15, 2019 DOC NYC ’19 Review: An Arthouse Cinema Giant is Restored to History in “Searching for Mr. Rugoff”
March 3, 2019 True/False ’19 Review: Ise Shinichi’s “Home, Sweet Home” is a Touching Family Portrait 35 Years in the Making
