March 24, 2025 SXSW 2025 Review: Andrew Patterson’s Blazingly Original “The Rivals of Amziah King” Makes an Enemy of Convention
March 22, 2025 SXSW 2025 Review: The Daisy Ridley-Led “We Bury the Dead” Gives New Life to a Zombie Thriller
March 24, 2025 SXSW 2025 Review: Andrew Patterson’s Blazingly Original “The Rivals of Amziah King” Makes an Enemy of Convention
March 22, 2025 SXSW 2025 Review: The Daisy Ridley-Led “We Bury the Dead” Gives New Life to a Zombie Thriller
January 22, 2023 Sundance 2023 Review: “Going to Mars: The Nikki Giovanni Project” Has a Way With Words
June 19, 2020 Interview: Sam Feder on How a History of Transgender Representation on Screen Can Change the Future in “Disclosure”
November 15, 2019 DOC NYC ’19 Review: An Arthouse Cinema Giant is Restored to History in “Searching for Mr. Rugoff”
March 3, 2019 True/False ’19 Review: Ise Shinichi’s “Home, Sweet Home” is a Touching Family Portrait 35 Years in the Making
