June 25, 2026 Palm Springs Shortsfest 2026 Interview: Hugo de Sousa, Sarah Whelden and Kelly Wilcox on a Trail That Turns Especially Cold in “Best Friends with the Devil”
June 24, 2026 Palm Springs Shortsfest 2026 Interview: Hazel McKibbin and Robert R. Palmer on the Run-Up to “Last Man Up”
June 25, 2026 Palm Springs Shortsfest 2026 Interview: Hugo de Sousa, Sarah Whelden and Kelly Wilcox on a Trail That Turns Especially Cold in “Best Friends with the Devil”
June 24, 2026 Palm Springs Shortsfest 2026 Interview: Hazel McKibbin and Robert R. Palmer on the Run-Up to “Last Man Up”
Tribeca 2026 Review: An Old Haunt Lays the Foundation for Lindsay Calleran’s Brilliantly New Father-Daughter Drama “Caity” June 8, 2026
Tribeca 2026 Review: Presidential Impersonations Reflect a Funny Political Reality in “Playing POTUS” June 7, 2026
Tribeca 2026 Review: A Pair of Mothers Search for Independence on the 4th of July in Rachel Rose’s Stirring “The Last Day” June 7, 2026
Tribeca 2026 Review: Jeffrey Schwarz’s “Mineshaft: The Cruising Murders” Revisits a Crime with Great Empathy June 7, 2026
Tribeca 2026 Review: Progress is a Delicate Dance in Allison Berg’s Heartening “Time Warp” June 7, 2026
Tribeca 2026 Review: A New York Underground Tries to Rise Above in Joshua Z. Weinstein’s Vigorous “Here I’m Alive” June 7, 2026
Tribeca 2026 Review: A Pastor Struggles to Have Faith in Others in Hannah Peterson’s Transcendent “Via Negativa” June 6, 2026
Tribeca 2026 Review: Emilia Clarke Shines in the Parallel Experiences of Drake Doremus’ “Next Life” June 6, 2026
Tribeca 2026 Interview: Alphan Eseli and Hazar Ergüçlü on Going on Instinct in “Mutter: Diary of a Mother” June 5, 2026
Tribeca 2026 Interview: Alvin Hall and Sam Pollard on a Hotel That Housed a Storied History in “The Lorraine” June 5, 2026
