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SXSW 2026 Review: Echoes of the Past Are Made to Reverberate in “The Man with the Big Hat”

SXSW 2026 Review: A Drummer Pounds the Pavement in Danny Madden’s Uplifting “Downbeat”

SXSW 2026 Review: Walking the Plank Starts to Look Like a Springboard in Josh Plasse’s Genuine “The Pirate King”

SXSW 2026 Review: A School May Fail Its Students, But They Still Show Class in “First They Came for My College”

Nadav Lapid on the Resistance It Took to Get to “Yes”

SXSW 2026 Interview: Charlie Traisman on an Unexpected Path to Satisfaction in “Achiever”