August 7, 2026 Locarno Film Fest 2026 Review: Love Can Be a Curse in Cristóbal León and Joaquín Cociña’s Spellbinding “Donkey Princess”
August 7, 2026 Locarno Film Fest 2026 Review: Fanny Liatard and Jérémy Trouilh’s “Les Yeux Verts (The Green Eyes)” Offers a Unique Vision on the Plight of Immigrants
August 7, 2026 Locarno Film Fest 2026 Review: Love Can Be a Curse in Cristóbal León and Joaquín Cociña’s Spellbinding “Donkey Princess”
August 7, 2026 Locarno Film Fest 2026 Review: Fanny Liatard and Jérémy Trouilh’s “Les Yeux Verts (The Green Eyes)” Offers a Unique Vision on the Plight of Immigrants
June 14, 2026 Tribeca 2026 Interview: Blake Winston Rice on Finding Truth and Humor in a Shame Spiral in “Disc”
June 13, 2026 Tribeca 2026 Interview: Noam Argov and Sappir Argov on Finding an Internal War of the Worlds in “Verse”
June 12, 2026 Tribeca 2026 Interview: Frank Sun, b Norwood and Kate Pittard on Being Image Conscious in “Fabric”
June 11, 2026 DC/DOX 2026 Interview: Ora DeKornfeld on the State of Play in “The Grandfather Puzzle” and “Stalin Boys”
June 11, 2026 DC/DOX 2026 Interview: Khaula Malik on the Difficulty of Trying to Make a Clean Break in “The Custodian”
June 10, 2026 Tribeca 2026 Interview: Andrew Neel on Fearing What Becomes Palatable to the Public in “How to Feed a Dictator”
June 5, 2026 Tribeca 2026 Interview: Alphan Eseli and Hazar Ergüçlü on Going on Instinct in “Mutter: Diary of a Mother”
June 5, 2026 Tribeca 2026 Interview: Alvin Hall and Sam Pollard on a Hotel That Housed a Storied History in “The Lorraine”
