June 12, 2025 Tribeca 2025 Review: Walter-Thompson Hernández’s “Kites” Earns Its Wings Channeling the Energy Required to Stay Afloat
June 11, 2025 Tribeca 2025 Review: A Restaurant’s Recipe for Success Has Some Unexpected Ingredients in Greg Olliver and Karim Raoul’s “Raoul’s, A New York Story”
June 10, 2025 Tribeca 2025 Interview: Charlotte Ercoli on Bringing a Distinct Flavor to “Fior di Latte”
June 10, 2025 Tribeca 2025 Interview: Terry Kennedy and Cody Sheehy on Reaching Unknown Depths in “The Last Dive”
June 12, 2025 Tribeca 2025 Review: Walter-Thompson Hernández’s “Kites” Earns Its Wings Channeling the Energy Required to Stay Afloat
June 11, 2025 Tribeca 2025 Review: A Restaurant’s Recipe for Success Has Some Unexpected Ingredients in Greg Olliver and Karim Raoul’s “Raoul’s, A New York Story”
June 10, 2025 Tribeca 2025 Interview: Charlotte Ercoli on Bringing a Distinct Flavor to “Fior di Latte”
June 10, 2025 Tribeca 2025 Interview: Terry Kennedy and Cody Sheehy on Reaching Unknown Depths in “The Last Dive”
May 15, 2025 Cannes 2025 Review: A Teacher is in for an Education in Louise Hémon’s Mordant “The Girl in the Snow”
May 14, 2025 Cannes 2024 Review: A Young Man’s Uneasy with Having It Easy in Laurent Cantet’s Tremendous “Enzo”
May 24, 2024 Cannes 2024 Review: A Sense of Defeat is Soulfully Evoked in Payal Kapadia’s Triumphant “All We Imagine as Light”
May 20, 2024 Cannes 2024 Review: A Refugee Courier Seeks Deliverance in Boris Lojkine’s Moving “L’Historie de Souleymane”
May 19, 2024 Cannes 2024 Review: A Defiant Poet Gets a Radical Biopic in the Electric “Limonov: The Ballad of Eddie”
May 18, 2024 Cannes 2024 Review: Tyler Taormina’s “Christmas Eve at Miller’s Point” is a Gift That Keeps On Giving
May 16, 2024 Cannes 2024 Review: Soldiers Confront a Fight They Didn’t Sign Up For in Roberto Minervini’s Thoughtful War Drama “The Damned”
