September 16, 2024 TIFF 2024 Review: Dea Kulumbegashvili Finds a Strong Way In to an Outside Operator in the Devastating “April”
September 16, 2024 TIFF 2024 Review: Personal Growth Takes Wild Directions in Giovanni Tortorici’s Deviously Charming “Diciannove”
September 16, 2024 TIFF 2024 Review: An Author Rewrites Her Destiny in Sinéad O’Shea’s Electric “Blue Road: The Edna O’Brien Story”
September 16, 2024 TIFF 2024 Review: Dea Kulumbegashvili Finds a Strong Way In to an Outside Operator in the Devastating “April”
September 16, 2024 TIFF 2024 Review: Personal Growth Takes Wild Directions in Giovanni Tortorici’s Deviously Charming “Diciannove”
September 16, 2024 TIFF 2024 Review: An Author Rewrites Her Destiny in Sinéad O’Shea’s Electric “Blue Road: The Edna O’Brien Story”
May 24, 2024 Cannes 2024 Review: A Sense of Defeat is Soulfully Evoked in Payal Kapadia’s Triumphant “All We Imagine as Light”
May 20, 2024 Cannes 2024 Review: A Refugee Courier Seeks Deliverance in Boris Lojkine’s Moving “L’Historie de Souleymane”
May 19, 2024 Cannes 2024 Review: A Defiant Poet Gets a Radical Biopic in the Electric “Limonov: The Ballad of Eddie”
May 18, 2024 Cannes 2024 Review: Tyler Taormina’s “Christmas Eve at Miller’s Point” is a Gift That Keeps On Giving
May 16, 2024 Cannes 2024 Review: Soldiers Confront a Fight They Didn’t Sign Up For in Roberto Minervini’s Thoughtful War Drama “The Damned”
May 15, 2024 Cannes 2024 Review: A Hunt for a War Criminal Becomes a Search for Peace of Mind in Jonathan Millet’s Haunting “Ghost Trail”
