DC/DOX 2024 Review: A.J. Schnack’s “Majority Rules” is a Political Doc That Separates Itself From the Pack
Tribeca 2024 Review: It Can Feel Lonely in a Friendship in Joel Potrykus’ Unexpectedly Poignant “Vulcanizadora”
Tribeca 2024 Review: Solving a Case Starts to Look Like a Crime in Nnamdi Asomugha’s Gripping Thriller “The Knife”
CannesReviews·3 min readCannes 2024 Review: A Sense of Defeat is Soulfully Evoked in Payal Kapadia’s Triumphant “All We Imagine as Light”
CannesReviews·2 min readCannes 2024 Review: Karim Aïnouz’s Sensuous “Motel Destino” Offers a Hell of a Hideaway
CannesReviews·3 min readCannes 2024 Review: A Refugee Courier Seeks Deliverance in Boris Lojkine’s Moving “L’Historie de Souleymane”
CannesReviews·3 min readCannes 2024 Review: A Defiant Poet Gets a Radical Biopic in the Electric “Limonov: The Ballad of Eddie”
CannesReviews·3 min readCannes 2024 Review: Carson Lund’s “Eephus” Vividly Captures the Spirit of the Game
CannesReviews·2 min readCannes 2024 Review: Hiroshi Okuyama’s “My Sunshine” Brings Out the Light From Within
CannesReviews·3 min readCannes 2024 Review: Matthew Rankin’s “Universal Language” is a Beautiful Ice Breaker
CannesReviews·3 min readCannes 2024 Review: Tyler Taormina’s “Christmas Eve at Miller’s Point” is a Gift That Keeps On Giving
CannesReviews·3 min readCannes 2024 Review: Soldiers Confront a Fight They Didn’t Sign Up For in Roberto Minervini’s Thoughtful War Drama “The Damned”
CannesReviews·2 min readRúnar Rúnarsson’s Glorious Elegy “When the Light Breaks” Opens Up New Horizons
CannesReviews·2 min readCannes 2024 Review: A Hunt for a War Criminal Becomes a Search for Peace of Mind in Jonathan Millet’s Haunting “Ghost Trail”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”