Josh Lambert, Yvonne Lambert and Toto Miranda of The Octopus Project on Bringing Out the Beauty of Bigfoot in “Sasquatch Sunset”
Review: Tragedy Brings Together People of Different Walks of Life in Hilla Medalia’s “Mourning in Lod”
SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
CannesReviews·2 min readCannes 2022 Review: Doubt Trickles Into a Flood of Emotions in Elena López Riera’s “El Agua”
CannesReviews·2 min readCannes 2021 Review: You’ll Come to Care About Julie Lecoustre and Emmanuel Marre’s “Zero Fucks Given”
CannesReviews·2 min readCannes 2021 Review: A Kidnapping Reveals a Lost Generation in the Harrowing “La Civil”
CannesReviews·2 min readCannes 2021 Review: A Cartel Leaves a Community on Edge in Tatiana Huezo’s Absorbing “Prayers for the Stolen”
CannesReviews·2 min readCannes 2023 Review: Elena Martín Gimeno’s “Creatura” Puts a Twist in Seeing Sexuality as a Beast
CannesReviews·3 min readCannes 2023 Review: A Conversation About Cinema’s Future Breaks Out of Lubna Playoust’s “Room 999”
CannesReviews·3 min readCannes 2023 Review: A Wrong Seems All Too Right in Rodrigo Moreno’s “The Delinquents”
CannesReviews·2 min readCannes 2022 Review: A Girl Discovers It’s a Dog Eat Dog World in Jasmine Trinca’s “Marcel!”
CannesReviews·2 min readCannes 2022 Review: The Terror of a Brutal Regime Hits Home in Manuela Martelli’s Engrossing “1976”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”