September 17, 2026 TIFF 2026 Review: A Blended Family Becomes Bonded By Blood in Trudie Styler’s Engaging “Up Against It”
September 17, 2026 TIFF 2026 Interview: Sine Plambech on Accompanying Migrants Who Brave the Tides in the Daring “Rescue”
September 17, 2026 TIFF 2026 Review: Muayad Alayan’s “Conversation with the Sea” Becomes a Gripping Exchange
September 16, 2026 TIFF 2026 Interview: Taimi Arvidson, Ally Spierings and Lake ‘iolani Stevens-Ram on Delivering a Ride to Remember in “Cheyenne”
September 17, 2026 TIFF 2026 Review: A Blended Family Becomes Bonded By Blood in Trudie Styler’s Engaging “Up Against It”
September 17, 2026 TIFF 2026 Interview: Sine Plambech on Accompanying Migrants Who Brave the Tides in the Daring “Rescue”
September 17, 2026 TIFF 2026 Review: Muayad Alayan’s “Conversation with the Sea” Becomes a Gripping Exchange
September 16, 2026 TIFF 2026 Interview: Taimi Arvidson, Ally Spierings and Lake ‘iolani Stevens-Ram on Delivering a Ride to Remember in “Cheyenne”
May 19, 2023 Cannes 2023 Review: “The Feeling That the Time for Doing Something Has Passed” Works Out Life’s Kinks
May 26, 2022 Cannes 2022 Review: A Girl Discovers It’s a Dog Eat Dog World in Jasmine Trinca’s “Marcel!”
May 26, 2022 Cannes 2022 Review: The Terror of a Brutal Regime Hits Home in Manuela Martelli’s Engrossing “1976”
May 26, 2022 Cannes 2022 Review: An Actor Gets a Part He’d Rather Not Play in the Curious Conspiracy Thriller “The Green Perfume”
May 23, 2022 Cannes 2022 Review: A Broken Heart Takes Time to Mend in Lea Mysius’ Enthralling “The Five Devils”
May 21, 2022 Cannes 2022 Review: Sunlight Gives Way to a Gathering Storm in Erige Sehiri’s Iridescent “Under the Fig Trees”
May 20, 2022 Cannes 2022 Review: Doubt Trickles Into a Flood of Emotions in Elena López Riera’s “El Agua”
July 15, 2021 Cannes 2021 Review: A Cartel Leaves a Community on Edge in Tatiana Huezo’s Absorbing “Prayers for the Stolen”
