September 16, 2026 TIFF 2026 Interview: Taimi Arvidson, Ally Spierings and Lake ‘iolani Stevens-Ram on Delivering a Ride to Remember in “Cheyenne”
September 16, 2026 TIFF 2026 Review: A Dry Spell Leads to Helena Girón and Samuel Delgado’s Transfixing “The Fortunate Isles”
September 15, 2026 TIFF 2026 Review: A Filmmaker Looks Inside Herself to Find a Changing Culture in Afsaneh Salari’s “Tehran, Under the Skin”
September 15, 2026 TIFF 2026 Review: Jenna Cato Bass’ Clever Sci-Fi Drama “Future Tense” Finds Hope in an Unusual Timeshare
September 16, 2026 TIFF 2026 Interview: Taimi Arvidson, Ally Spierings and Lake ‘iolani Stevens-Ram on Delivering a Ride to Remember in “Cheyenne”
September 16, 2026 TIFF 2026 Review: A Dry Spell Leads to Helena Girón and Samuel Delgado’s Transfixing “The Fortunate Isles”
September 15, 2026 TIFF 2026 Review: A Filmmaker Looks Inside Herself to Find a Changing Culture in Afsaneh Salari’s “Tehran, Under the Skin”
September 15, 2026 TIFF 2026 Review: Jenna Cato Bass’ Clever Sci-Fi Drama “Future Tense” Finds Hope in an Unusual Timeshare
July 13, 2021 Cannes 2021 Review: The Present Takes On Unexplored Dimensions in Saul Williams and Anisia Uzeyman’s Wondrous “Neptune Frost”
July 12, 2021 Cannes 2021 Review: Anita Rocha da Silveira’s Subversive “Medusa” Sees Through Blind Faith
July 11, 2021 Cannes 2021 Interview: Antoneta Alamat Kusijanovic on Living at the Edge of the World in “Murina”
July 11, 2021 Cannes 2021 Review: A Legacy of Trauma is Passed Down in Kornél Mundruczó and Kata Wéber’s Powerful “Evolution”
July 11, 2021 Cannes 2021 Interview: Kira Kovalenko on Locating Family Dynamics in the Gripping “Unclenching the Fists”
July 11, 2021 Cannes 2021 Review: You’ll Come to Care About Julie Lecoustre and Emmanuel Marre’s “Zero Fucks Given”
July 10, 2021 Cannes 2021 Review: A Woman Risks Her Body to Save a Soul in Laura Samani’s Absorbing “Piccolo Corpo”