The Moveable Fest
The Moveable Fest
  • Interviews
    Interviews

    Max Walker-Silverman on Putting a Personal Twang on “A Love Song”

    Anita Rocha da Silveira on Countering an Insidious Political Movement with “Medusa”

    Ayoka Chenzira on Creating a Space for Splendor in “Alma’s Rainbow”

  • Reviews
    Reviews

    Outfest 2022 Review: A City Council Seat Becomes an Opportunity to Take a Stand in “A Run for More”

    Tribeca 2022 Review: “Unfinished Business” Captures Net Gains for Women’s Basketball

    Tribeca 2022 Review: “Lowndes County and the Road to Black Power” Illuminates the Importance of the Vote in the Deep South

  • The Mentaculist
    The Mentaculist
    Matt Damon in "Euro Trip"

    Matt Damon: A Career in Cameos

    Independence Day: My Street

    Five Movie Marketing Miscues That Blew Up in All the Wrong Ways

    Lucas Black and Nathalie Kelley in "Fast & Furious: Tokyo Drift"

    Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
    “Fast & Furious” Franchise

  • Retrospective
    Retrospective

    “All My Work is the Desire to Live Fully, To Grab it and to Swallow Life”: Mira Nair on a Career Showing the Unseen

    Reclaiming Reality: Mario Van Peebles on Reimagining a City and an Industry in “New Jack City”

    Joachim Trier on “The Worst Person in the World” Epilogue, Freezing Oslo in Time and More with Paul Thomas Anderson

  • Trending
    NowWeekMonth

    “Every Day Was Like, ‘How Do We Pull This Off?'” Martin Brest on “Midnight Run”

    Edward Burns on Turning on the Charm in “Summer Days, Summer Nights”

    John Gallagher Jr. in "Hush"

    Interview: Kate Siegel & Mike Flanagan on Finding that Silence is Golden in “Hush”

    Natalia Dyer and Peter Vack in "I Believe in Unicorns"

    Interview: Leah Meyerhoff, Natalia Dyer & Peter Vack on “I Believe in Unicorns”

    Outfest 2022 Review: A City Council Seat Becomes an Opportunity to Take a Stand in “A Run for More”

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SXSW 2022

InterviewsSXSW

SXSW 2022 Interview: Teemu Nikki and Jani Pösö on Drawing on All the Senses for “The Blind Man Who Did Not Want to See Titanic”

The director and producer behind this immersive drama talk about exploring the perspective of a man making his way in the world with MS.
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ReviewsSXSW

SXSW 2022 Review: A Pandemic Exposes the Deep Wounds Within a Community in “Bad Axe”

David Siev's look inside his family's restaurant business in the midst of COVID reveals deep-seated fissures in a small Midwestern town.
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InterviewsSXSW

SXSW 2022 Interview: Pete Ohs on the Spirit of Collaboration Behind the Strange and Delightful “Jethica”

The filmmaker talks about executing a singular vision with a trusted cast and crew in this curious and inventive ghost story.
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InterviewsSXSW

SXSW 2022 Interview: Gretchen Stoeltje on the Progress Made When Time Stood Still in Texas in “Shouting Down Midnight”

The director talks about chronicling the aftermath of Wendy Davis' inspiring and defiant stand against draconian abortion measures in Texas.
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InterviewsSXSW

Miranda Bailey on Finding a Way Through Unprecedented Terrain in “Split at the Root” and “The Unknown Country”

The producer discusses how she stayed active during the pandemic and emerged with two of the most talked about films at SXSW 2022.
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ReviewsSXSW

SXSW 2022 Review: A Guitar Innovator Quietly Pulls the Strings in Alice Gu’s Winning “Really Good Rejects”

The "Donut King" director returns with a lovely profile of Reuben Cox, whose guitars have helped artists from Taylor Swift to Jeff Tweedy strike a different chord.
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ReviewsSXSW

SXSW 2022 Review: Squandering a Lottery Ticket Leads to Good Fortune in the Winning Drama “To Leslie”

Andrea Riseborough shines in this drama about a lottery winner who has to lose everything before she can truly find happiness.
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InterviewsSXSW

SXSW 2022 Interview: Kestrin Pantera, Britt Rentschler and Michael Tennant on Finding the Comedy in Ugly Relationship Issues in “Pretty Problems”

A weekend retreat in wine country turns into a nightmare of dysfunctional relationships in this new comedy from the director of "Mother's Little Helpers."
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InterviewsSXSW

SXSW 2022 Interview: Kyle Thrash on Seeing the Start of an End to an Injustice in “The Sentence of Michael Thompson”

The co-director of this wrenching short talks about chronicling the final parole hearing for Michigan's longest-serving non-violent offender.
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InterviewsSXSW

SXSW 2022 Interview: Rosa Ruth Boesten and George Anthony Morton on Painting Oneself Out of a Corner in “Master of Light”

The director and subject talk about their startling documentary about a painter who found an escape in prison through his art.
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ReviewsSXSW

SXSW 2022 Review: “Me Little Me” Connects With a Character Who Struggles To

A woman (A’Keyah Dasia Williams) looking to put her eating disorder behind her contends with all it means for her life ahead in this tender drama.
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Interviews

SXSW 2022 Interview: Casey Neistat and Christine Vachon on Creating a Full Picture of Internet Fame in “Under the Influence”

The director & producer discuss this remarkable profile of David Dobrik, a YouTube influencer whose videos didn't always tell the whole story.
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Film NewsTo Live and Screen in L.A.

Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

Mildred Loving, Peggy Loving and Richard Loving in "The Loving Story"
Interviews

Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

The Mentaculist

Playing God: 13 Actors Who Dared To Be the Deity in Movies

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