September 6, 2026 Telluride Film Fest 2026 Review: Nathan and David Zellner Fight the Good Fight in the Prepostorously Funny “Alpha Gang”
September 5, 2026 Telluride 2026 Review: A Writer of Great Tragedies Narrowly Avoids Authoring One in His Life in the Fun and Frisky “The Idiot(s)”
September 6, 2026 Telluride Film Fest 2026 Review: Nathan and David Zellner Fight the Good Fight in the Prepostorously Funny “Alpha Gang”
September 5, 2026 Telluride 2026 Review: A Writer of Great Tragedies Narrowly Avoids Authoring One in His Life in the Fun and Frisky “The Idiot(s)”
September 8, 2021 Venice Film Fest 2021 Review: A Woman Fights for Her Sense of Self in Dina Amer’s “You Resemble Me”
September 5, 2021 Venice Film Fest 2021 Review: A Youth Retreat Reveals a Terrifying and Inescapable Reality in Joaquín del Paso’s “The Hole in the Fence”
September 4, 2021 Venice Film Fest 2021 Review: History Repeats Itself to Devastating Effect in “Three Minutes – A Lengthening”
September 3, 2021 Venice Film Fest 2021: A Fight Continues in Alessandro Cassigoli and Casey Kauffman’s Knockout “Californie”
September 2, 2021 Venice Film Fest 2021 Review: “Hallelujah: Leonard Cohen, A Journey, A Song” Hits a Transcendent Note
September 13, 2020 Venice 2020 Review: Hilal Baydarov’s “In Between Dying” Offers the Great Comfort of Strangers
September 10, 2020 Venice Film Fest 2020 Review: A Truly Radical Coming-of-Age Story Unfolds in Julia Von Heinz’s Urgent “And Tomorrow the Entire World”
September 9, 2020 Venice Film Fest 2020 Review: Cold Hard Facts Are Accompanied By Plenty of Warmth in Jing Wang’s Hopeful “The Best is Yet to Come”
September 8, 2020 Venice Film Fest 2020 Review: When a City Burns, Azra Deniz Okyay Summons the Fire Within in the Fierce “Hayaletler”
September 8, 2020 Venice Film Fest 2020 Review: Borders Come in All Forms in Ameen Nayfeh’s Heartfelt “200 Meters”
