October 12, 2026 TIFF 2026 Review: There’s No Rest for the Wicked in Wayne Wang’s Delicious Drama “Diary of a Mad Old Man”
October 11, 2026 TIFF 2026 Review: A Witch Hunt Reveals the Makings of Other Monsters in May el-Toukhy’s Staggering “Woman Unknown”
October 12, 2026 TIFF 2026 Review: There’s No Rest for the Wicked in Wayne Wang’s Delicious Drama “Diary of a Mad Old Man”
October 11, 2026 TIFF 2026 Review: A Witch Hunt Reveals the Makings of Other Monsters in May el-Toukhy’s Staggering “Woman Unknown”
September 7, 2023 Venice Film Fest 2023 Review: Bill and Turner Ross’ “Gasoline Rainbow” Sets Its Sights on New Horizons
September 4, 2023 Venice Film Fest 2023 Review: “The Outpost” Applies a Light Touch to a Trip Into the Heart of Darkness
September 4, 2023 Venice Film Fest 2023 Review: A Legal System Goes Under the Knife in Selman Necar’s Sharp “Hesitation Wound”
September 1, 2023 Venice Film Fest 2023 Review: The Stars Come Out at Night in Saverio Costanzo’s “Finally Dawn”
August 31, 2023 Venice Film Fest 2023 Review: A Missing Baby Becomes the Least of a Trio’s Problems in Karan Tejpal’s Stirring “Stolen”
August 31, 2023 Venice Film Fest 2023 Review: “Thank You Very Much” Pins Down the Genius of Andy Kaufman
September 8, 2022 Venice Film Fest 2022 Review: A Casting Director is Recognized for Her Star Quality in “Bonnie”
September 8, 2022 Venice Film Fest 2022 Review: An Air of Mystery Gives the Room to Breathe in Laura Citarella’s Bewitching “Trenque Lauquen”
September 5, 2022 Venice Film Fest 2022 Review: A Moral Compass Takes “To The North” in Interesting Directions
September 4, 2022 Venice Film Fest 2022 Review: “Blanquita” Finds Truth Amidst a Host of Ulterior Motives
