September 23, 2026 TIFF 2026 Review: No AC is No Problem in Serville Poblete’s Refreshing and Sensational Summertime Comedy “Sunburn”
September 22, 2026 TIFF 2026 Review: A Catholic Schoolgirl Tries to Stay Faithful Amidst Her Parents’ Divorce in Lindsay Lanzillotta’s Amusing “Purgatory”
September 22, 2026 TIFF 2026 Review: Feng-I Fiona Roan’s Charming “Happily Ever After” Sees a Pair of Sisters Take Different Roads to Success
September 22, 2026 TIFF 2026 Review: Raul Garcia and Ervin Han’s Resonant “The Violinist” Speaks to Life in Singapore Under Occupation
September 23, 2026 TIFF 2026 Review: No AC is No Problem in Serville Poblete’s Refreshing and Sensational Summertime Comedy “Sunburn”
September 22, 2026 TIFF 2026 Review: A Catholic Schoolgirl Tries to Stay Faithful Amidst Her Parents’ Divorce in Lindsay Lanzillotta’s Amusing “Purgatory”
September 22, 2026 TIFF 2026 Review: Feng-I Fiona Roan’s Charming “Happily Ever After” Sees a Pair of Sisters Take Different Roads to Success
September 22, 2026 TIFF 2026 Review: Raul Garcia and Ervin Han’s Resonant “The Violinist” Speaks to Life in Singapore Under Occupation
September 3, 2024 Venice Film Fest 2024 Review: A Young Woman Contends With Unexpected Daddy Issues in Vojtĕch Strakatý’s “After Party”
September 3, 2024 Venice Film Fest 2024 Review: Sarah Friedland’s “Familiar Touch” Shows a Great Deal of Sensitivity
September 2, 2024 Venice Film Fest 2024 Review: Xiaoxuan Jiang’s “To Kill a Mongolian Horse” Vividly Depicts A Changing Climate for Inner Mongolia
September 2, 2024 Venice Film Fest 2024 Review: “The Story of Frank and Nina” Offers a Trio of Teens a Chance to (Creatively) Rewrite Their Destiny
September 1, 2024 Venice Film Fest 2024 Review: Chaos Grows Around a Farmer in Frédéric Farrucci’s Fierce “The Mohican”
August 31, 2024 Venice Film Fest 2024 Review: A Different Fight for Resistance Emerges in Gianni Amelio’s “Campo Di Battaglia”
August 31, 2024 Venice Film Fest 2024 Review: A Mother Learns to Care for Herself in Anne-Sophie Bailly’s “Mon Inseparable (My Everything)”
August 31, 2024 Venice Film Fest 2024 Review: A Pricing Scheme Pays Major Dividends in Kiyoshi Kurosawa’s Preposterously Fun “Cloud”
August 30, 2024 Venice Film Fest 2024 Review: A Woman of the World Adopts a New Attitude in Alessandro Cassigoli and Casey Kauffman’s “Vittoria”
August 30, 2024 Venice Film Fest 2024 Review: “One to One: John and Yoko” Shows How a Power Couple Stayed Attuned to the Times
August 29, 2024 Venice Film Fest 2024 Review: Andres Veiel’s “Riefenstahl” Shows an Image-Conscious Director’s Most Sculpted Narrative Was Her Own
August 29, 2024 Venice Film Fest 2024 Interview: Moara Passoni on Getting in Touch with an Inner Nature in “My Mother is a Cow”
