November 7, 2025 Klára Tasovská, Libuše Jarcovjáková and Lukáš Kokeš on Getting a Full Picture in “I’m Not Everything I Want to Be”
October 30, 2025 Lynsey Addario and Chai Vasarhelyi on Bringing Light to Conflicts at Home and Abroad in “Love + War”
November 7, 2025 Klára Tasovská, Libuše Jarcovjáková and Lukáš Kokeš on Getting a Full Picture in “I’m Not Everything I Want to Be”
October 30, 2025 Lynsey Addario and Chai Vasarhelyi on Bringing Light to Conflicts at Home and Abroad in “Love + War”
September 6, 2025 Venice Film Fest 2025 Review: Perspectives on a Divorce Are Elegantly Brought Together in “L’Isola Di Andrea (Andrea’s Island)”
September 3, 2025 Venice Film Fest 2025 Review: Suzannah Mirghani’s “Cotton Queen” Cleverly Picks Apart a Tradition-Bound Culture’s Strides Towards the Future
September 3, 2025 Venice Film Fest 2025 Review: A Legendary Documentarian Wonders If His Films Were a Myth in the Thought-Provoking “Remake”
September 2, 2025 Venice Film Fest 2025 Interview: Shehrezad Maher on Tackling a Tortured History Without Letting It Get Too Dark in “The Curfew”
September 1, 2025 Venice Film Fest 2025 Review: Akio Fujimoto’s Harrowing Migration Tale “Hara Watan (Lost Land)” Breaks New Ground
September 1, 2025 Venice Film Fest 2025 Review: Alexandre O. Philippe’s “Kim Novak’s Vertigo” Allows an Actress to Step Out of the Shadows
August 31, 2025 Venice Film Fest 2025 Review: Cyril Aris’ Defiantly Fantastical “A Sad and Beautiful World” Takes the Romantic View Towards a Country in Constant Conflict
August 30, 2025 Venice Film Fest 2025 Review: Paolo Strippoli’s “The Holy Boy” Finds Healing is the Most Difficult Superpower to Get Ahold Of
August 30, 2025 Venice Film Fest 2025 Review: Mads Mikkelsen and Nikolaj Lie Kaas Slay in Anders Thomas Jensen’s Surreal Comedy “The Last Viking”
August 30, 2025 Venice Film Fest 2025 Review: A War Shapes a Childhood in Nastia Korkia’s “Short Summer”
August 29, 2025 Venice Film Fest 2025 Review: Tamara Kotevska’s “The Tale of Silyan” Redefines a Flight or Fight Response
August 27, 2025 Venice Film Fest 2025 Review: Godliness Doesn’t Come Cleanly in Teona Strugar Mitevska’s Proudly Rebellious “Mother”
