October 14, 2026 Susanne Rostock and Carmen Perez on Honoring a Legacy of Pushing for Social Progress in “Following Harry”
October 12, 2026 TIFF 2026 Review: There’s No Rest for the Wicked in Wayne Wang’s Delicious Drama “Diary of a Mad Old Man”
October 14, 2026 Susanne Rostock and Carmen Perez on Honoring a Legacy of Pushing for Social Progress in “Following Harry”
October 12, 2026 TIFF 2026 Review: There’s No Rest for the Wicked in Wayne Wang’s Delicious Drama “Diary of a Mad Old Man”
September 15, 2026 TIFF 2026 Review: Jenna Cato Bass’ Clever Sci-Fi Drama “Future Tense” Finds Hope in an Unusual Timeshare
September 14, 2026 TIFF 2026 Review: Annie Murphy Couldn’t Be Better in the Deeply Satisfying Rom-Com “All That She Wants”
September 13, 2026 TIFF 2026 Review: Things Start to Not Add Up for a Mathematician in Niki Byrne’s Rousing “The Julia Set”
September 13, 2026 TIFF 2026 Review: Maiken Baird’s “Edward Said: Between Worlds” is a Fitting Tribute to a Scholar Eternally Out of Place
September 12, 2026 TIFF 2026 Interview: John Trengrove on Forming a Perspective in the Sensational “The Taste of Apples”
September 12, 2026 TIFF 2026 Review: An Individual Betrayal Touches Everyone in Benjamin Naishtat’s Compelling “Glaxo”
September 12, 2026 TIFF 2026 Review: Friends Search for Higher Ground in Irene Dionosio’s Volcanic “Idda”
September 12, 2026 TIFF 2026 Review: Cody Fern’s Fierce “Closing Night” Opens Up Old Wounds for a Pair of Sisters
September 11, 2026 TIFF 2026 Interview: Zarrar Khan and Mohammad Ali Hashmi on Working Out a Lot in “The Lion Does Not Concern Himself”
September 10, 2026 TIFF 2026 Review: Plenty is Gained from Innocence Lost in Remi St-Michel’s Wildly Entertaining “Toy Gun Bandit”
September 6, 2026 Telluride Film Fest 2026 Review: Nathan and David Zellner Fight the Good Fight in the Prepostorously Funny “Alpha Gang”
