October 2, 2026 New/Next Fest 2026 Review: Marnie Ellen Hertzler’s Infectiously Optimistic “Eternity One” Suggests the World in Turmoil Has a Lot to Learn From a Teen
September 29, 2026 TIFF 2026 Interview: Mariia Volodymyrivna Ponomarova on Finding Out What’s In a Name in “Patronymic”
October 2, 2026 New/Next Fest 2026 Review: Marnie Ellen Hertzler’s Infectiously Optimistic “Eternity One” Suggests the World in Turmoil Has a Lot to Learn From a Teen
September 29, 2026 TIFF 2026 Interview: Mariia Volodymyrivna Ponomarova on Finding Out What’s In a Name in “Patronymic”
June 10, 2026 Tribeca 2026 Interview: Andrew Neel on Fearing What Becomes Palatable to the Public in “How to Feed a Dictator”
June 10, 2026 Tribeca 2026 Review: An Attractive Romantic Getaway Has Led Locals to Flee in Gar O’Rourke’s Captivating “The Siege of Paradise”
June 8, 2026 Tribeca 2026 Review: An Old Haunt Lays the Foundation for Lindsay Calleran’s Brilliantly New Father-Daughter Drama “Caity”
June 7, 2026 Tribeca 2026 Review: Presidential Impersonations Reflect a Funny Political Reality in “Playing POTUS”
June 7, 2026 Tribeca 2026 Review: A Pair of Mothers Search for Independence on the 4th of July in Rachel Rose’s Stirring “The Last Day”
June 7, 2026 Tribeca 2026 Review: Jeffrey Schwarz’s “Mineshaft: The Cruising Murders” Revisits a Crime with Great Empathy
June 7, 2026 Tribeca 2026 Review: Progress is a Delicate Dance in Allison Berg’s Heartening “Time Warp”
June 7, 2026 Tribeca 2026 Review: A New York Underground Tries to Rise Above in Joshua Z. Weinstein’s Vigorous “Here I’m Alive”
June 6, 2026 Tribeca 2026 Review: A Pastor Struggles to Have Faith in Others in Hannah Peterson’s Transcendent “Via Negativa”
June 6, 2026 Tribeca 2026 Review: Emilia Clarke Shines in the Parallel Experiences of Drake Doremus’ “Next Life”
June 5, 2026 Tribeca 2026 Interview: Alphan Eseli and Hazar Ergüçlü on Going on Instinct in “Mutter: Diary of a Mother”
