Marc Levin and David Paul Kuhn on Finding the Foundation for Modern Day Tensions in America in “Hard Hat Riot”
The director and author of “The Hardhat Riot" discuss this lively revisit of a 1970 Vietnam War protest with surprising reverberations now.
TIFF 2025 Review: A Boxer Fights for Her Life in the Ring and Outside of It in David Michôd’s “Christy”
A powerful turn from Sydney Sweeney propels David Michôd’s pugnacious portrait of a pioneering prize fighter with unique vulnerabilities.
New York Film Fest 2025 Review: Restaging a Greek Tragedy Opens Up a World of Contemporary Concerns in Ulrich Köhler’s Sharp Satire “Gavagai”
A problematic production of "Medea" becomes a playground to tackle a motherlode of representational politics for the "In My Room" director.
Tadashi Nakamura on Starting a Legacy of His Own in “Third Act”
The director discusses honoring his legendary filmmaker father Robert Nakamura with this biography that builds a broader history of Asian American life.
David Osit on a Form of Escapism That You Can’t Get Away From in “Predators”
The director talks about this absorbing consideration of the legacy of "To Catch a Predator" and a reality that there's no going back to.
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TIFF 2025 Review: A Music Journalist’s Pause Becomes Reason to Press Play on Chandler Levack’s Magnificent “Mile End Kicks”
Barbie Ferreira shines as a music journalist struggling to find her rhythm as she settles into a formative summer in Montreal in this exceptional dramedy.
TIFF 2025 Review: Todd Rohal’s “Fuck My Son!” is a Subversive Treat for Sickos
The gleefully transgressive auteur makes up for lost time with his first film in a decade about a mother who wants best for her mutant child.
Fantastic Fest 2025 Interview: Glenn McQuaid on Getting Handsy with “The Restoration at Grayson Manor”
The "I Sell the Dead" director discusses his sensational family feud horror comedy starring Alice Krige and Chris Colfer.
