November 21, 2024 Crystal Moselle, Derrick B. Harden, and Izabella Tzenkova on Riding the Waves in “The Black Sea”
November 18, 2024 DOC NYC 2024 Interview: Emily Mkrtichian on a Memory That Can’t Be Taken Away in “There Was, There Was Not”
November 21, 2024 Crystal Moselle, Derrick B. Harden, and Izabella Tzenkova on Riding the Waves in “The Black Sea”
November 18, 2024 DOC NYC 2024 Interview: Emily Mkrtichian on a Memory That Can’t Be Taken Away in “There Was, There Was Not”
September 4, 2022 Venice Film Fest 2022 Review: “Blanquita” Finds Truth Amidst a Host of Ulterior Motives
September 3, 2022 Venice Film Fest 2022 Review: A Gardener Confronts Obstacles to Growth in “Beating Sun”
September 3, 2022 Venice Film Fest 2022 Review: “Casa Susanna” Uncovers a Hideaway Where It Was Possible to Live Openly
September 3, 2022 Venice Film Fest 2022 Review: A Life of Inner Peace May Have Prevented a Nuclear War in “A Compassionate Spy”
September 2, 2022 Venice Film Fest 2022 Review: An Engagement Leads to Estrangement in “Valeria is Getting Married”
September 2, 2022 Venice Film Fest 2022: Slivers of a Legendary Life Truly Become “Fragments of Paradise”
September 1, 2022 Venice Film Fest 2022 Review: “Desperate Souls, Dark City and the Legend of Midnight Cowboy” Gets Everybody Talking Again
September 8, 2021 Venice Film Fest 2021 Review: A Man on the Run Worries He’ll Leave His Soul Behind in “Captain Volkonogov Escaped”
September 8, 2021 Venice Film Fest 2021 Review: A Woman Fights for Her Sense of Self in Dina Amer’s “You Resemble Me”
September 5, 2021 Venice Film Fest 2021 Review: A Youth Retreat Reveals a Terrifying and Inescapable Reality in Joaquín del Paso’s “The Hole in the Fence”
September 4, 2021 Venice Film Fest 2021 Review: History Repeats Itself to Devastating Effect in “Three Minutes – A Lengthening”
