June 1, 2025 LALIFF 2025 Interview: Sophia Stieglitz and Constanza Castro on the Modern Family in “Papá Melissa”
May 29, 2025 LALIFF 2025 Interview: Andrew James Gonzales and Laura Varela on Leaving No Man Behind in “American Sons”
June 1, 2025 LALIFF 2025 Interview: Sophia Stieglitz and Constanza Castro on the Modern Family in “Papá Melissa”
May 29, 2025 LALIFF 2025 Interview: Andrew James Gonzales and Laura Varela on Leaving No Man Behind in “American Sons”
September 4, 2022 Venice Film Fest 2022 Review: “Blanquita” Finds Truth Amidst a Host of Ulterior Motives
September 3, 2022 Venice Film Fest 2022 Review: A Gardener Confronts Obstacles to Growth in “Beating Sun”
September 3, 2022 Venice Film Fest 2022 Review: “Casa Susanna” Uncovers a Hideaway Where It Was Possible to Live Openly
September 3, 2022 Venice Film Fest 2022 Review: A Life of Inner Peace May Have Prevented a Nuclear War in “A Compassionate Spy”
September 2, 2022 Venice Film Fest 2022 Review: An Engagement Leads to Estrangement in “Valeria is Getting Married”
September 2, 2022 Venice Film Fest 2022: Slivers of a Legendary Life Truly Become “Fragments of Paradise”
September 1, 2022 Venice Film Fest 2022 Review: “Desperate Souls, Dark City and the Legend of Midnight Cowboy” Gets Everybody Talking Again
September 8, 2021 Venice Film Fest 2021 Review: A Man on the Run Worries He’ll Leave His Soul Behind in “Captain Volkonogov Escaped”
September 8, 2021 Venice Film Fest 2021 Review: A Woman Fights for Her Sense of Self in Dina Amer’s “You Resemble Me”
September 5, 2021 Venice Film Fest 2021 Review: A Youth Retreat Reveals a Terrifying and Inescapable Reality in Joaquín del Paso’s “The Hole in the Fence”
September 4, 2021 Venice Film Fest 2021 Review: History Repeats Itself to Devastating Effect in “Three Minutes – A Lengthening”
