October 3, 2026 New/Next Fest 2026 Review: A Self-Help Author’s Advice May Sink a Beach Bum in Alex Karpovsky’s Buoyant “Riptides”
October 2, 2026 New/Next Fest 2026 Review: Marnie Ellen Hertzler’s Infectiously Optimistic “Eternity One” Suggests the World in Turmoil Has a Lot to Learn From a Teen
October 3, 2026 New/Next Fest 2026 Review: A Self-Help Author’s Advice May Sink a Beach Bum in Alex Karpovsky’s Buoyant “Riptides”
October 2, 2026 New/Next Fest 2026 Review: Marnie Ellen Hertzler’s Infectiously Optimistic “Eternity One” Suggests the World in Turmoil Has a Lot to Learn From a Teen
January 30, 2025 Sundance 2025 Review: Sophie Brooks’ “Oh, Hi!” Makes the Most of Some Questionable Bedroom Behavior
January 29, 2025 Sundance 2025 Review: Amanda McBaine and Jesse Moss’ “Middletown” is a Total Class Act
January 28, 2025 Sundance 2025 Interview: Don Josephus Raphael Eblahan and Hannah Schierbeek on Forging a Connection in “Vox Humana”
January 28, 2025 Sundance 2025 Review: A Groundbreaking Iranian Politician Gets a Sharp Profile in Sara Khaki and Mohammad Reza Eyni’s “Cutting Through Rocks”
January 28, 2025 Sundance 2025 Review: Eva Victor Turns A Case of Writer’s Block Into a Powerhouse in “Sorry, Baby”
January 27, 2025 Sundance 2025 Interview: Laura Casabé on Testing the Waters in “The Virgin of the Quarry Lake”
January 27, 2025 Sundance 2025 Review: Heidi Ewing and Rachel Grady’s “Folktales” Delights With a Different Kind of High School Survival Story
January 26, 2025 Sundance 2025 Review: A Proponent for Peace Finds a New Way to Stand Up in “Coexistence, My Ass”
January 26, 2025 Sundance 2025 Review: A Father Strapped for Cash Shows a Lot of Love in Cole Webley’s Tender “Omaha”
