September 29, 2026 TIFF 2026 Interview: Mariia Volodymyrivna Ponomarova on Finding Out What’s In a Name in “Patronymic”
September 29, 2026 TIFF 2026 Review: Matt Barats’ Painfully Funny “Anchors Aweigh” Turns the Tide on the Aimless Millennial Self-Portrait
September 29, 2026 TIFF 2026 Interview: Mariia Volodymyrivna Ponomarova on Finding Out What’s In a Name in “Patronymic”
September 29, 2026 TIFF 2026 Review: Matt Barats’ Painfully Funny “Anchors Aweigh” Turns the Tide on the Aimless Millennial Self-Portrait
January 23, 2026 Sundance 2026 Review: Mohammed Ali Naqvi’s Rescue Doc “Hanging By a Wire” Will Have You on the Edge of Your Seat
January 23, 2026 Sundance 2026 Review: A Mother Considers the Price of Vengeance in Suzanne Andrews Correa’s Taut Thriller “The Huntress”
January 22, 2026 Sundance 2026 Review: Art Truly Makes a Difference in “American Pachuco: The Legend of Luis Valdez”
January 22, 2026 Sundance 2026 Interview: Malin Barr on a Relationship That Runs Hot and Cold in “Sauna Sickness”
February 16, 2025 Sundance 2025 Review: Cherien Dabis Pieces Together an Emotional Powerhouse in “All That’s Left of You”
February 14, 2025 Sundance 2025 Review: Bill Condon’s “Kiss of the Spider Woman” Offers a Needed Escape
February 10, 2025 Sundance 2025 Review: A Knock on the Door Has Reverberations for an Entire Society in “The Perfect Neighbor”
February 10, 2025 Sundance 2025 Review: The Roots of a Family Farm Are Exposed for Their Beauty in Brittany Shyne’s “Seeds”
February 10, 2025 Sundance 2025 Review: In “Come See Me in the Good Light,” A Radiant Romance Glows in the Dark
February 10, 2025 Sundance 2025 Review: Joel Alfonso Vargas Delivers a Priceless Coming-of-Age Tale in “Mad Bills to Pay”
January 31, 2025 Sundance 2025 Review: Rachael Abigail Holder’s Lovely “Love, Brooklyn” Shows a Sensitivity to Change
