Hot Docs 2024 Interview: Alix Blair on Getting Inside the Grip of the Hands of Time in “Helen and the Bear”
Hot Docs 2024 Interview: Jennifer MacArthur on a Movement Towards Sustainability for Black-Owned Forests in “Family Tree”
Hot Docs 2024 Interview: Roya Sadat on Watching Women Take a Seat at the Negotiating Table in “The Sharp Edge of Peace”
Hot Docs 2024 Review: A Family of Immigrants Look for Direction in Agnieszka Zwiefka’s Striking “Silent Trees”
San Francisco Film Fest 2024 Review: A Consciousness of Others Takes Root in Nicholas Ma’s Endearing “Mabel”
Review: Tragedy Brings Together People of Different Walks of Life in Hilla Medalia’s “Mourning in Lod”
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
ReviewsTIFF·2 min readTIFF 2023 Review: “Widow Cliquot” Offers a Bubbly Portrait of a Woman with Champagne Problems
Reviews·2 min readTIFF 2023 Review: A Sea Change Comes to a Protected Island in Christian Sparkes’ “King Tide”
ReviewsTIFF·3 min readTIFF 2023 Review: An Artist Spinning Their Wheels Leads to Success in Chris Wilcha’s “Flipside”
ReviewsTIFF·2 min readTIFF 2023 Review: “The Teacher” Outlines a Conflict That Leaves Everyone as Prisoners of War
Reviews·2 min readTIFF 2023 Review: Chloe Robichaud’s “Days of Happiness” Brings a Sense of Satisfaction
ReviewsTIFF·3 min readTIFF 2023 Review: Azazel Jacobs’ “His Three Daughters” is an Irresistible Family Affair
ReviewsTIFF·2 min readTIFF 2023 Review: “We Grown Now” Gives a Community Somewhere to Start Rebuilding
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”