August 17, 2026 Edinburgh Film Fest 2026 Review: “The Arrow at Rest at Every Instant of its Flight” Hits the Mark
August 16, 2026 Edinburgh Film Fest 2026 Review: Olivia Luccardi is the Life of the Party in Frieda Luk’s “Sacred Creatures”
August 16, 2026 Locarno Film Fest 2026 Review: A Family Worries a Foundation of Tradition May Slip Away in Asmahan Bkerat’s “Concrete Land”
August 17, 2026 Edinburgh Film Fest 2026 Review: “The Arrow at Rest at Every Instant of its Flight” Hits the Mark
August 16, 2026 Edinburgh Film Fest 2026 Review: Olivia Luccardi is the Life of the Party in Frieda Luk’s “Sacred Creatures”
August 16, 2026 Locarno Film Fest 2026 Review: A Family Worries a Foundation of Tradition May Slip Away in Asmahan Bkerat’s “Concrete Land”
March 5, 2024 True/False 2024 Review: A Search for Answers Leads to Fascinating Questions in “Seeking Mavis Beacon”
March 5, 2024 True/False 2024 Review: A City of High-Rises Threatens to Clip an Artist’s Wings in Elizabeth Nichols’ “Flying Lessons”
March 4, 2024 True/False 2024 Review: Lana Wilson’s “Look Into My Eyes” Is a Mesmerizing Portrait of Psychics
March 2, 2024 True/False 2024 Review: A Gloriously Full Picture Emerges in Rachel Elizabeth Seed’s “A Photographic Memory”
March 1, 2024 True/False 2024 Review: Emily Mkrtichian’s “There Was, There Was Not” Is a Bold Act of Narrative Resistance
February 22, 2024 Berlinale 2024 Review: A Corrections Officer Lets Her Guard Down in Gustav Möller’s Riveting Drama “Sons”
February 21, 2024 Berlinale 2024 Review: “Brief History of a Family” Spins a Sensational Tale of Social Mobility
February 21, 2024 Berlinale 2024 Review: Julia von Heinz’s “Treasure” Provocatively Reflects a Generational Divide
